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Mamá Cora is about 80 years old and she has three sons and a daughter. Mamá lives with one of them, unfortunately, the one who is in the worst economic position. One day, all the members of the family have a reunion to celebrate an anniversary. In the middle of the whole thing, an awkward question appears out of nowhere: Who’s going to be Mamá Cora’s heir? Who is going to take care of her during her last days in this world?. The answer is not easy and it doesn’t take too long for the members of this bizarre family to start a terrible and yet hilarious fight. However, in the middle of the whole thing, they’re interrupted by some disturbing breaking news.
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A slaughterhouse worker appears to be romantically involved with his boss’s wife. They plan to leave the country together, but at the airport she waits for him in vain. Slowly but surely the three of them get entangled in a fateful web of betrayal, jealousy, and revenge.
This feature-length documentary introduces viewers to Ken Carter, a Montreal-born stunt driver who made a living by risking his life. The film shines a light on the intense preparation that led to Carter’s first attempt to jump a car across a mile-wide stretch of the St. Lawrence River – a 5-year period during which the dare-devil raised a million dollars, erected a 10-storey take-off ramp and built a rocket-powered car.
Danny, onto his 49th share house and in his mid 30s is probably ready for some privacy and independence but is still attracted to the friends and oddball characters that makes sharing a house so attractively horrible. We travel with Danny as he moves through shared houses in Brisbane, Sydney and Melbourne. Danny’s life is further complicated by the presence of rental goons despatched by landlords in search of unpaid rent and the police chasing him in relation to a credit card debt thanks to a dodgy housemate. Proving he is not responsible is harder than lying about his identity.
Loosely adapted from a short story by Andrzej Pastuszak. A film about refusal to compromise. Takes place in 1968, following the events of Polish political crisis in March of that year. The protagonist, student, Józef Moneta is trying to intervene after his friends are expelled from school. He gets expelled himself. He looses his chance for a better life, is forced to do physical labor. He tries his hand as a writer. Here he’s also expected to compromise (rewrite a piece), to which he doesn’t want to agree. His girlfriend calls it a lack of humility towards the world. Everybody around him accepts the rules of the game, settle, but not Moneta. In the end it turns out that for the younger generation, his uncompromising attitude is not enough.
Intrigued by the mysterious, primitive, human-like creature captured on film roaming the wilds of Africa, Lord Carter organises a scientific expedition to the Dark Continent to find out if there is such a thing as a human ape. There, amid ferocious beasts and blood-thirsty cannibalistic tribes, the ambitious explorers find not one but two rare specimens: undefeated Karzan, the mighty lord of the jungle, and fierce Shiran, his untamed mate. However, capturing the wild couple is easier said than done, and before long, the white invaders get what’s coming to them. Will they manage to catch savage Karzan and wild Shiran and lock them in a zoo cage?
Britain’s first musical shot in colour and widescreen (a process called Cosmoscope) is a cabaret-style featurette centred on a group of young people in Chelsea lodgings, watched over by a fatherly caretaker. Eight specially written songs are performed by stage stars of the day – most notably Georgia Brown, who later created the role of Nancy in Oliver!
In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: school has closed, the violence is fascinating, getting from West to East is a game. His mother wants to leave; his father refuses. Tarek spends time with May, a Christian, orphaned and living in his building. By accident, Tarek goes to an infamous brothel in the war-torn Olive Quarter, meeting its legendary madam, Oum Walid. He then takes Omar and May there using her underwear as a white flag for safe passage. Family tensions rise. As he comes of age, the war moves inexorably from adventure to tragedy.