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Marja is a prostitute who has to run away, when her pimp Jussi robs and kills one of her costumers. She finds a hiding place in a mansion on the country side. Marja falls in love with the master of the mansion, but Jussi finds out Marjas whereabouts and comes to meet her.
Tag: FHD
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This film is a visual diary of Nedeljko Dragic’s visit to the United States, for which he has transformed his impressions into a rapidly flowing, semi-abstract series of images. He has created a nightmarish vision, with certain ideas, such as the pace and superficiality of life, technological and economic power and ostentatious advertising, predominating. In his somewhat sardonic comment on American values the more innocent images of the past, like the love-sick mouse chasing a cat and the small figure of Chaplin’s little tramp, are few and far between.
This little-seen gem by John Ford tells the story of a thoroughbred largely through the point of view of the horse, who casts her animal gaze on the troubled family of Southern aristocrats who own, sell, and eventually reclaim her, as her colt becomes a futurity winner.
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New York City custodian Daryll Deever is a big fan of local news reporter Tony Sokolow, so he is intrigued when she shows up to cover a story at his workplace. There’s been a murder in the office building, and Tony suspects that Daryll may have insight into the crime, a notion that he furthers to stay close to her. However, when those behind the killing begin to think that Daryll really knows something, they target both him and Tony to keep their secrets hidden.
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In the winter of 1943 two young Jews, Alek and Fryda, escape, via sewer tunnels, from the atrocities underway in Warsaw ghetto. Alek, entrusted with undeveloped photos of the horrors within, makes his way to a supposedly safe apartment only to find it occupied by Germans. Another tenant, a pole Stephania, abruptly offers to shelter him in her spacious apartment. She comforts him and they make love that very night. Stefania is uncommonly generous and willing to jeopardize her own safety by hiding a Jew. She even goes to a nearby church and rescues Fryda. But Fryda is ungrateful and proceeds to sabotage the trio’s safety in insidious ways.
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Yuu Kamiya is an up-and-coming talent in Japanese show business. She is killed in a traffic accident. On the way to heaven, she gets a chance to transiently restore her body (to which mirrors and photos are insensitive) and comes back to this world. She starts new life as an average girl.
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Harassed by the day, a man runs away in the evening from people and town. He crawls into his little room to sleep. The dream is bringing him the limitless and quiet spaces of solitude. At last, he is alone and free. But the solitude engenders the fear.
A landmark in African cinema, Souleymane Cissé’s film is set in the Malian empire of the 13th century and depicts the quest of a young son across the West African landscape to confront his father, a tyrannical magician. Although the film’s mythic narrative and arresting visual style lend it universal appeal, Yeelen’s use of Bambara, Fulani, and Dogon languages and its representation of power struggles across generations have been interpreted as a commentary on Malian politics of the postcolonial era.