Tag: 1990s

September 23, 2024 / Drama

An adaptation of ‘Priest Island’ by E.L. Grant Watson. A man is exiled to a lonely island after he is caught stealing sheep to pay the dowry for his beloved. He is sentenced to spend his life on an uninhabited island with only a few simple tools. Mary, a maid, intrigued by the story and the man, decides to join him there.

September 21, 2024 / Arthouse

The mother of the Indian female singer Pallavi is at the end of her life. She was master and teacher for her daughter for the art of Indian singing. But she will not be able to complete her lessons. So Pallavi experiences the lack of the guru of her mother. Finally she finds him in a very young street-girl who is able to sing marvelously. But this girl keeps disappearing again and again…

September 21, 2024 / Drama

Looking to escape a troubled marriage, a woman returns to her hometown, where she repairs a broken friendship with her cousin and finds true happiness.

July 25, 2024 / Biography

This documentary focuses on AIDS activist, novelist and film writer and National Book Award winner Paul Monette’s life, from his childhood in Massachusetts up to his life in Hollywood and diagnosis and death from AIDS. His story is told in readings from his memoirs and by those who knew him. Narrated by Linda Hunt.

July 14, 2024 / Drama
July 14, 2024 / Arthouse

Jean-Claude Lauzon’s highly praised film tells the strange story of Léolo, a young boy from Montréal. Told from Léolo’s point-of-view, the film depicts his family of lunatics and Léolo’s attempts to deal with them. Not one individual in the boy’s life is well adjusted. His brother, after being beaten up, spends the film bulking up on growth protein. The grandfather hires half-naked girls to bite off his toenails and, in a brutal rage, almost kills Léolo. As he witnesses his family decay around him, Léolo retreats into himself and the fantasy world he has constructed.

July 14, 2024 / Arthouse
July 14, 2024 / Short

In its mesmerizing montage of autistic children, seen at the same institution in discrete, vivid moments of repose, reverie or trance, SEULS marks an encounter at once rapturous and serene. Filmed in a luminous black-and-white evocative of an even earlier era, its subjects appear at times curious but more often merely tolerant or indifferent before the camera (its scrutinizing lens, no doubt, already a part of their monitored world). But the tacitly charged portraits prove deeply humanizing and even collaborative in their formal response to the insistent rhythms and expressions of the children, all of them very much agents in the making of this hauntingly beautiful work.