Yvonne Arthur is a mixture of charm and humour, spontaneity and spunk – but she’s an acute opportunist accustomed to living off other people’s money. What starts as an innocent reunion with a schoolmate, who is an heiress to millions, builds to the opportunity of a lifetime
Tag: 1970s
An interpretation of The Confessions of Saint Augustine, featuring an ordinary middle-aged man who undergoes a conversion experience while watching an experimental film. The film is by Al Rutcurts (think about it) and Earl is so bored that his mind starts to wander.
Faced with death, Sindbad looks back on his life. Old photos and letters evoke past loves and short-lived passions. In these rambling memories, he recalls past moments of pleasure in a woman’s smile or a magnificent lunch. The plastic world of remembering is demonstrated by the freely flowing visual images. This poetic vision made on the basis of the Sindbad short stories by Gyula Krúdy is a core work of Hungarian film. Zoltán Huszárik builds up a strange world from fragments of events, visual shards and subjective feelings.
On their honeymoon, Lenny’s new bride develops a severe sunburn and has to spend three days in their room — which is fine with him because he’s beginning to find her little idiosyncrasies maddening. In fact, Lenny is starting to feel his marriage may be a mistake. Then, when he hits the beach alone he meets a beautiful college student, Kelly Corcoran, and falls head over heels. He is sure this is the “real thing.” There’s just one problem…he’s a newlywed!
The first feature by Andrzej Żuławski immediately established his emotionally charged, fast-and-furious style. Drawing from the biography of his father, particularly his experiences in Nazi German-occupied Poland, the film follows a fugitive whose reality implodes when he witnesses the murders of his family, propelling him into a nightmarish world filled with doppelgängers, fluid identities, pervasive dread, and an enigmatic Nazi vaccine laboratory. In all its fantastic and macabre glory, The Third Part of the Night is a delirious portrayal of the chaos wrought upon the psyche by the horrors of war, and one of the most remarkable directorial debuts of all time.
Depicts the quality of life in a small American town in Iowa, which is representative of thousands of such towns across the United States. Illustrates an old farm couple’s memories of play, work, family life, courtship, and marriage.
Sticky My Fingers, Fleet My Feet is a film about a man accepting his old age. The film is playful, as its characters have an exaggerated infatuation with their games of touch football, the main character even keeping a book of stats for himself. John D. Hancock utilizes sound in order to help with the over dramatization, as the suspense builds before kick-off, where comically a young girl picks up the ball before they can begin. The sound again emphasizes the child in these older men, when the main character returns home to a bath. He imagines now he is playing tennis with a brush, leaving the viewer, in the bit of parallelism, to see he can’t be humbled by his age for long.
Based on a short story by Paul Gallico, this drama stars Sissy Spacek as Verna Vane, a small-town girl who dreams of hitting it big in show business. Verna isn’t much of a singer or a dancer, but she is able to land a job with a U.S.O. troupe entertaining American soldiers in Europe during World War II. Verna imagines this is a major stepping stone in her career as an entertainer, but even though Maureen and Eddie, two veteran vaudevillians touring with Verna, know better, they don’t have the heart to tell her. While in Belgium, Verna meets Walter, a Lieutenant in the U.S. Army who becomes smitten with her. Verna: USO Girl was first aired in 1978 as part of the PBS series Great Performances.