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An old man, being rowed along a river, sees a field of daisies (or Wild Chrysanthemums, as they are described in the title), and thinks back to when he was fifteen. He recalls his time with, and away from, the girl cousin he grew up with and would have married, except the family and other pressures got in the way.
Tag: 1950s
Small-time gambler flees town and hooks up with his ex-wife (Virginia) to avoid arrest for murder. Protecting Virginia from a masher, he accidentally kills the man, then tries to make it look like an accident. When police detect the crime and come after him, he goes on the run again, but this time with his wife as a hostage.
A financier plots to become the richest man in the world by marrying off his daughter to the son of an Arab sheik.
Troubleshooting oil man Vic Scott has arrived in Venezuela to help put out a fire at an offshore well. It’s a ticklish situation: if Scott fails, not only will he die in the blaze, but all of Maracaibo will likely be destroyed. When he isn’t risking his life, Scott romantically pursues ice-princess journalist Laura Kingsley.
Anna Maria Mentorsi takes her daughter on a vacation to a beautiful seaside resort on the Mediterranean to get away from life in the city. While they enjoy their new surroundings, she catches the eye of the town’s mayor, and considers settling there for good. But when she spurns the advances of a wealthy business man, he threatens to reveal a secret that could ruin all her plans.
When 21-year-old Melissa Collins commits suicide, her guardian, the domineering American newspaper publisher William T. Marshall, searches (in flashback) for a reason. He finds it in a letter he receives from Melissa, after her death. In this, she asks Marshall to take revenge on her lover, who caused her such pain he made life not worth living. Marshall hires a professional criminal to plot the murder, with the proviso that the victim undergo the torments of the damned before he is finally killed. Trouble is, the wrong man is targeted for the publisher’s revenge.
Henri Chatelard is well in his forties, owns a restaurant and a cinema in the city, and appreciate women. When he meets Marie, a 18ish stronghead who just lost her father in a small fishermen village, it is not clear who is the hunter and who is the prey.