Flo and Kay are the only female identical twin autistic savants in the world – they can remember an extraordinary amount of details including dates, record names and even what they have eaten on any given day over the last 30 years. News anchor and former DJ Dave Wagner has been following their lives and filming them for 13 years – his footage makes up much of this documentary.
rarefilmm | The Cave of Forgotten Films Posts
Whether in the countryside or on the edge of the city, amusement parks or fun fairs are hot across Europe. Their names, amusement parks and fun fairs, say it all: People want to be amused, they want to have fun. For example, at the Europark in southern Germany a dummy with a contorted face sits in an electric chair. Smoke comes out of him and a light flickers off and on from out of the roasted “brain” of the dummy, which shudders and cries in pain. A film on the culture of amusement in today’s “leisure” society.
Together is set in London’s East End, with its bombsites, narrow streets, riversides, warehouses, markets and pubs. It follows two deaf-mute dockers who are completely cut-off from the outside world and are constantly pursued by groups of jeering children. Its modern depiction of everyday working-class life and its new approach to realism were inspired by Italian neo-realism and by the techniques used by Mazzetti’s Free Cinema friends.
Teenage siblings Nenette and Boni were raised apart as a result of their parents’ divorce. Their mother, who doted on her son Boni, has died. He works for an interesting couple as a pizza baker, and is surprised and enraged when his younger sister, having run away from boarding school, suddenly turns up. There’s a problem that they must confront.
Édourd Berlon lives care-freely, collecting lovers until he meets Hélène Laroche, a married woman. Despite their different worlds-his simplicity, her luxury-they run away together. Can their love survive their differences?
Chronicle of the Years of Fire portrays Algeria’s struggle for independence from French colonial rule. The story follows a peasant’s migration from his drought-stricken village to his eventual participation with the Algerian resistance movement, just prior to the outbreak of the Algerian War of Independence.
Ibrahim Shaddad’s graduation film Jagdpartie, which he shot at the Deutsche Hochschule für Filmkunst Potsdam-Babelsberg, is a treatise on racism. Shot in a forest in Brandenburg, it uses the Western genre to portray a black farm worker pursued by a mob of white men. The film dramatizes working-class solidarity across the color line, signally achieved through shared labor, but culminates in the violent foreclosure of this common horizon.
Louise lives alone and seems to like it that way. She has been through a divorce and the recent death of her mother. Recently, she has moved to Annecy, a moderate-sized city, to take work as a schoolteacher. She encounters a much younger man, Luigi, an Italian who is down on his luck. Though he moved to France to find work, he was robbed of his money and papers and is stranded. When he helps her bury her dogs, which her neighbour has poisoned for barking, their relationship grows to a new level.