Undercover agent Mark Owens is sent to aid the Border Patrol in the trans-border town of Hernandez in breaking up a well-organized band of smugglers. Since the town is also noted for a place for obtaining quick marriages on the Mexico side, Mark obtains the job of pilot on “The Honeymoon Express.” He does not realize that he has been recognized as a G-Man by “Hot Cake” Joe, operator of a sandwich stand and an informant for the smugglers. Reporter Nancy Rawlings, assigned to the airport on the American side of the border, sees Mike running the matrimonial express in his flamboyant uniform, and thinks he is ridiculous enough to make a good story.
rarefilmm | The Cave of Forgotten Films Posts
The Frake family attends the Iowa State Fair. Father Abel enters his Hampshire boar Blue Boy in the hog contest, mother Melissa enters the mincemeat competition, and their young-adult children Margy and Wayne find love with newspaper reporter Pat Gilbert and trapeze artist Emily Joyce. Will everyone return home safe and happy or will hearts be broken?
Edward Owens’ first film contains a series of super impositions and fleeting images of bodies suggesting illicit desire, and demonstrates a masterful use of baroque lighting. Scenes of quarrels unfold along closeups of glossy magazine cutouts and classical paintings.
The film attempts to negotiate with the duality that is associated with the ceremonial veneration of the Mother Goddess Kali. It ruminates on the nuanced transness that is prevalent, in the ceremonial performance of male devotees cross dressing as Kali. This is interwoven with grotesque elements of a sacrificial ceremony, which forms a vital part of the worship of the Goddess.
Here the different poses of the artist provide the raw material for Peter Kubelka to create an ecstatic work that deals with rhythm and repetition, as much as with human actions and automatisms. Together with Mosaic and Afrikareise, Kubelka considers this to belong to his metaphoric film work.
The Polish city of Lodz was under Nazi occupation for nearly the entire duration of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors of the occupation are vividly chronicled through newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing over the course of the film, symbolic of the death of each narrator.
A terrifying look into the mind of mass murderer Kenneth Bianchi, who killed two women in Bellingham, Washington, and was one of the Hillside Strangler murderers in Los Angeles. Yet, he almost escaped punishment for these crimes because he convinced a group of experts that he had multiple personalities and was not mentally competent to stand trial.
Over the course of one day in August 1912, the family of retired actor James Tyrone grapples with the morphine addiction of his wife Mary, the illness of their youngest son Edmund and the alcoholism and debauchery of their older son Jamie. As day turns into night, guilt, anger, despair, and regret threaten to destroy the family.