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Lena Horne’s famous song “Now!”, which was banned in the U.S. in the 1960s, was an angry call for struggle against racism. This film uses Horne’s song as the vehicle for a montage of film and photographic images from the U.S. civil rights movement. These images of racial struggle and oppression in the United States convey the heroism and pathos of the black protagonists of the Civil Rights movement, and the brutality of white police and Klansmen and the system they represent. Santiago Alvarez responds to the song’s escalating rhythm by moving between images to evoke the violence with which American society was being torn apart by white supremacy, and the intensity of the African-American struggle to right these injustices.
Category: Short
The Inspector carefully walks down the city streets avoiding “danger”. He comes home, washes his feet and reads the newspapers. Suddenly, he sees a fingerprint that starts running. The Inspector follows it… This satirical cartoon about the need for excitement, mystery, suspense and a dynamic life contains all kinds of witty situations and comical details.
An allegorical story about a prisoner and a guard, and about the difficulty to grasp the border between freedom and captivity. The film shows the relativity of the relationship between the executioner and the victim. They both need some contact, they need something to do, they need thoughts. The film won the Crystal Award, the Grand Prix of the 7th International Animated Film Festival in Annecy, the Honorary Diploma at the 20th International Film Festival in Locarno, and the Third Prize at the 7th Cracow Film Festival (1967).
A fascinating insight into the life and works of photographer Imogen Cunningham. Coming into public attention around 1910, she was celebrated in the late sixties through awards, honorary degrees and exhibitions. Her photos are looked at from three focal points: nature, portraits and figure studies.
Mark Rappaport completed his concise portrait of the legendary John Garfield in 2002, comprised (like much of his filmed essays) from existing film footage of the actor. Exceptionally engaging, Rappaport’s extraordinary short contains more insightful observations of its subject than many feature-length biographical documentaries.
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This film is a visual diary of Nedeljko Dragic’s visit to the United States, for which he has transformed his impressions into a rapidly flowing, semi-abstract series of images. He has created a nightmarish vision, with certain ideas, such as the pace and superficiality of life, technological and economic power and ostentatious advertising, predominating. In his somewhat sardonic comment on American values the more innocent images of the past, like the love-sick mouse chasing a cat and the small figure of Chaplin’s little tramp, are few and far between.
Sam Phelps, a New York State farmer takes a stand against the possible destruction of a nearby watershed, pointing out the need for thoughtful planning and careful land management.