Co-directed by Godard with the Dziga Vertov group in 1969, ‘Pravda’ is a direct attack to revisionism and socialist imperialism. With his usual heterogeneous collage of images taken from real life, the film is structured in a sort of letter that a man writes to a woman called Rosa from Bulgaria and later from Czechoslovakia.
Shot in the summer of 1980, this film from longtime directorial partners Straub and Huillet investigates the changing relationship between people, the land, and society in France and Egypt.
In this war drama blurring the lines between documentary and fiction, the working class and the bourgeoisie of 19th century Paris are interviewed and covered on television, before and during a tragic workers’ class revolt.
Behind the faded signs of three motels in the American Southwest lay entire worlds of passion, loyalty, adventure and fate. Veteran filmmaker Christian Blackwood winds his way into the soul of remarkable people in uniquely American subculture.
In 1971, Jean Eustache films his grandmother Odette Robert. She tells him about her life: her unhappy youth, her marriage with a man who likes women, the death of her parents, of her children. She speaks about her tragedies, her life of humiliation and servitude, with a calm, almost neutral voice. In the same way she admits that “it doesn’t interest her to live”. Filmed in black and white, in a few steady shots and in a continuous way, this document is the real and moving testimony of the life of a woman of the beginning of the century.
Born in 1910 in New York City Arthur Jacob Arshawsky better known to the world as Artie Shaw went on to become one of the best clarinetists in American music history. Brigitte Berman uses interviews with Shaw his colleagues and his last wife Evelyn Keyes to provide needed insights. These are supplemented by Shaw’s music and clips from two of the films from the late 30s in which he played himself.
Lindsay Anderson’s writes and presents this documentary tribute to his hero John Ford. Including many rare clips, and interviews with those who knew and worked with Ford like stagehand Lefty Hough and actress Maureen O’Hara.
This documentary follows filmmaker ‘Kevin Macdonald’ across Europe in search of the grandfather he never really knew, Emeric Pressburger, the Oscar winning screen writer.