The story of the real-life Scottish criminal who spent a decade in and out of British prisons is the subject of this film directed by John MacKenzie (Long Good Friday) and produced by Beatle George Harrison’s company, Hand Made Films. The life of the violent criminal is captivating, for, following his turbulent years in and out of captivity, his later years saw him marrying a psychiatrist and supervising efforts at rehabilitating convicts.
Year: 2024
Two women attending a Women’s Seminar on personal development walk out in acute embarassment during the introduction. They meet up with a woman who arrived too late to be admitted. Thrown together by chance, they discuss their emotional lives in intimate detail.
John Ward served as producer, director, screenwriter, and star of this satiric comedy with a romantic undercurrent. Ward plays a would-be filmmaker whose girlfriend wishes that he could develop a bit more maturity. After an argument, he packs his bags and heads to California, where he indulges in his Hollywood fantasies as he tries to get his foot in the door of the film business. However, absence makes the heart grow fonder, and the time away from his significant other makes him realize just how much he misses her.
Nico was born in 1938 as Christa Päffgen. She was tall, blonde and slim, with a deep voice and big, strange eyes. ‘The siren of the sixties’ The Times called her at her death. It seemed that everyone who met her was enchanted by this gorgeous but bizarre woman. She associated with celebrities like Lou Reed, Jim Morrison, Jackson Browne and Andy Warhol. She played in films by Fellini and Philippe Garrel and she made records with The Velvet Underground. Filmmaker Susanne Ofteringer spoke with a lot of people who knew Nico, including her son, a boy who has the same curious eyes as his mother. The structure of the film resembles a collage of archive footage, music, photos and interviews, which gradually reveals the image of an intangible but fascinating personality.
Yutaka was fourteen years old when he was run over by a car and fell into a coma. Now, ten years later, he wakes up and realizes that his family is not intact anymore: father, mother and sister live at different places. Yutaka decides to re-open the pony farm that his family once ran.
Piavoli’s lyric ode to the cycles of life charts the passages of infancy, youth, maturity and old age against the seasons of the year in the bucolic Lombardy village of Castellaro. The chimes of the clock in the town square punctuate the rhythm of life: birth, the amazements of childhood, the emotional upheavals of adolescence, the first attempts and failures in romance, the dancing, the loving, and the hallmark event of marriage. Rich in sound and glorious images, VOICES THROUGH TIME evocatively shows “the course of life like a river flowing, without whirlpools, without waterfalls, to let people consider the incessant flowing of things, the unstoppable course of time.
A film about a love triangle between a theater director, an actress and an actor. Exchanges take place between fiction and reality, the stage and life. The actress one day leaves the theater director for the actor. But after a few days, she begins to doubt her new relationship.