Sándor Sára’s short experimental film juxtaposes pitiful war memorials against actual footage from the First World War. Thus, by exploiting the power of montage, the absurdity of celebrating war is brought to the fore along with the tragedy of how ordinary people are manipulated by ideologies and then despatched to the slaughterhouse. Pro Patria can be viewed as the overture in Sára’s film series on war, in which he does not yet apply the medium of the ‘talking heads’ documentary but instead the montage art form in order to dig deep into the subject: the tragic truth of the individual sent off to battle.
Director: Sándor Sára.
Writers: Sándor Csoóri, Ferenc Kósa, Sándor Sára.
Cinematographer: Sándor Sára.
Composer: András Szöllösy.
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