——UPGRADED——
A man who has just embezzled money from his company is driving through the Nevada desert. He picks up a pretty girl and her seemingly goofy boyfriend. The girl is a Las Vegas showgirl and the boyfriend turns out to be a professional killer, and he has no intention of letting the motorist finish the trip.
A Jewish basketball coach discovers a group of black men playing great basketball in Harlem and turns them into the famous Harlem Globetrotters.
The story of a group of high school boxing team members who spend their days drinking, sailing and chasing girls, and who more often than not spend their nights getting into brawls. In particular, it focuses upon Tatsuya, a sullen young man, who falls in love with Eiko, a proud upper-class girl.
A group of aimless Taipei residents deal with their personal problems in this Taiwanese drama that does feature brief flashes of black humor. Much of the story centers upon lonely Mrs. Chen who has trouble coping with her philandering husband, and nearly senile mother-in-law.
The film is a humorous lecture on the internal structure of a dachshund. Parodying popular lectures at the same time, it contains a message about the superiority of the products of living organisms’ techniques and calls for respect for the environment.
David takes his autistic child to a new therapy center and meets Dr. Rachel Lindsey. Their chemistry results in an affair that doesn’t help her already-shaky marriage.
Set in Antwerp, Belgium in the early 70s, Left Luggage tells the story of Chaja, an impetuous, liberal-minded philosophy student. She has a complex relationship with her parents, who both survived the Nazi concentration camps. She needs money so she gets a job as a nanny for a Hassidic Jewish family whose world is completely alien to her liberated lifestyle. She becomes close to their son and through this relationship learns about the lives of her own parents.
Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, Hick) is driven by a mad longing and becomes irretrievably lost. Unable to meet the demands of the workaday world, Hick wanders alone through the city and, as in many of Achternbusch’s films, enters an intermediate realm in which the dead interact with the living: he encounters and falls in love with a mummy, searches for an Egyptian queen, and stalks the inner regions of the hereafter, which lie in the middle of Munich.
