Director Gaspard Bazin is working on a new feature film. For now, he’s still looking at the fundraising and casting stage of the process. He calls upon Jean Almereyda, a once-fashionable producer who is now going through a bad patch, finding it increasingly difficult to raise the capital he needs for his ventures. His wife Eurydice dreams of being a movie star. A perverse game between the two men ensues, with Almereyda wanting to please his wife, but reluctant to demand a role for Eurydice because of Bazin’s reputation as an incorrigible seducer.
Year: 2022
After eight years in exile Martin returns to Berlin. He was involved in the German Revolution of 1918/1919 and had to leave the country as a result. Impoverished and lonely, he struggles on alone until the market saleswoman Hanne offers him shelter, although she does not have much money either. They fall in love and Martin even finds work on the construction site for the subway through Tempelhofer Feld. One day, however, he collapses there, whereupon the pregnant Hanne tries to nurse him back to health.
A story of a wire man who carried the idea of protecting himself from people around him to an absurdity by turning his wife and dog into barbed wire and thus isolating himself from the surrounding world.
Set in 1955, Sadako and the Thousand Paper Cranes is the true story of Sadako Sasaki, a young Japanese girl, on the threshold of adolescence, who developed leukemia from radiation caused by the bombing of Hiroshima. While hospitalized, her closest friend reminded her of the Japanese legend that if she folded a thousand paper cranes, the gods might grant her wish to be well again. With hope and determination, Sadako began folding.
Based on the official transcripts of the investigation that followed after the very suspicious notorious death in prison of one of the most important leading men of the South African anti-apartheid movement, Steven Biko.
MEET MARLON BRANDO is a delightful, unusually candid portrait of the world-famous movie star: A tongue-in-cheek confrontation with the press. While television journalists interview him about his most recent film, Brando counters their futile questions with wit and insight, a man unwilling to sell himself. “It’s a wonderful show,” one woman comments about the new project. “Did you see it?” he asks. “No, I haven’t seen it yet.” “Then how do you know?” Always smiling and never modest, Marlon Brando shines in one of his most revealing performances.
Abandoned by her husband, Laura takes her nine year old daughter, Muriel, and leaves the hectic life on Buenos Aires bound for the tranquility of Argentina’s countryside. When they lose all their belongings in a freak accident, Muriel and her mother are taken in by a suspicious proprietor of a run down hotel, Mirta who has children on her own. Through struggles and hardships, the two women form a makeshift family only to have it threatened when Muriel’s father shows up looking to make amends. It’s a story of courage and survival, it is also a story of men and women as seen through the eyes of a child.
A father brings a young child to an emergency room to get treatment for a minor injury occurring in an innocent accident, but he gets accused of child abuse. Child welfare agencies commit grossly unfair over-reactions to remove the child forcibly from the father, who must brave the arcane system to reclaim his daughter.