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Interweaving poetry, painting, photography, music and sculpture, this feature documentary is an innovative look at the lives and work of Canadian men and women artists of Italian origin. Broaching issues of identity and culture, the film explores the relationship between the immigrant experience and the creative process.
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A recent high school graduate is faced with two options, either go to a business school where his father wants him to go to, or get a full time job. However he decides to defy his father and go to Hawaii. Trouble is he has no money. Along the way he comes to understand his parents and eventually bonds with his father.
Charlie becomes a paratrooper, but, while serving in North Africa, he mistakenly kills one of his fellow U.S. soldiers, who is masquerading as a Nazi in order to wipe out a nest of the enemy. The action moves to Sicily and then to Salerno. Shunned by his fellow soldiers, including his childhood friend Ace, Charlie is forced to prove himself when it is left up to him to transport a generator across an open road in full view of Nazi attackers.
While on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family. This film evokes the haunting quality of memory while creating a heartfelt portrait of a boy’s life in a rural 1940s Southern town.
After five years working with Roger Corman, Jonathan Demme moved to Paramount to make Citizens Band, a charming ensemble comedy following a disparate group of characters who communicate across the airwaves. A huge influence on Paul Thomas Anderson, the film’s empathy for the outsiders and eccentrics who would characterise Demme’s later work is clearly evident here. And the cast, including Le Mat as a CB vigilante and Napier as a bigamist trucker, is terrific. A prescient study of human behaviour that resonates in our social media era, Citizens Band’s box-office failure left Demme fearing his career was over, but it can now be seen as the moment he found his distinctive voice.
Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless, Simone has it performed every day in her nightclub. Her employees use their female charms to let the representatives of law enforcement look the other way – and even attend the shows. Then the young ambitious judge Philippe Forrestier decides to bring this to an end. Will Simone manage to twist him round her little finger too? Her boyfriend, Francois, certainly doesn’t like to watch her trying.
The lives of Dashiell Hammett and Lillian Hellman are set against the golden era of Hollywood, HUAC and the issue of McCarthyism of the 1950s. This intimate look at the lives of two of this century’s literary titans follows their tumultuous affair, drinking bouts, career highs and lows, and activities in support of left-wing causes including Hammett’s public avowal of Communism and his membership in the Communist Party and Hellman’s sympathies for the Stalinist regime in the Soviet Union before World War II.
In Istanbul, American writer James Baldwin muses about race, the American fascination with sexuality, insights into his interrupted writing decade in the country, the generosity of the Turks, and how being in another country, in another place, forces one to re-examine well-established attitudes about modern society.