Winner of the Bronze Leopard at the Locarno Film Festival, Ozualdo R. Candeias masterpiece A OPÇÃO OU AS ROSAS DA ESTRADA combines masterful handheld documentary camerawork in black and white with staged action based on firsthand experiences to delve into the profoundly quotidian reality of a group of rural women who cut sugar cane and live modestly in ramshackle neighborhoods along the highway. Dreaming of a better life and with no other option than prostitution, many of them hit the road towards the big city, where new forms of exploitation awaits them.
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When the atheistic ranting of Irish-American author James Mulcahy upsets the inhabitants of the Irish village to which he has retired, a mob threatens him. But moments after he has dared God to strike him dead, a stranger appears and does so. The man, dubbed “Johnny Nobody” by the press, claims no knowledge of Mulcahy or even of himself. He asks the help of the village priest, Father Carey, in his upcoming trial for Mulcahy’s murder. While the amnesiac Johnny goes to trial, Father Carey mulls questions of belief raised by the case. And then, the good father learns a little more about Johnny Nobody…
Tai Katô’s highly stylised & often-seedy tale of revenge is definitely not for the faint hearted! Five women sexually molest a 16-year-old delivery boy & drive him to suicide. Like Oshima’s Violence at Noon & Imamura’s Vengeance is Mine, this legendary exploitation film portrays the disturbing anatomy of a serial killer. Stars Makoto Satô as the revenge-driven killer who sets out to avenge his friend’s suicide by appointing himself judge, jury & executioner.
An open-hearted exploration of several fears: of the dark, old age, obesity, monsters and global destruction. Director Joanna Priestley gets across a series of personal phobias in a refreshing and humorous fashion. We get a superb, contemporary animated film with salutes to historical cartoon figures scattered throughout.
Francis and Blake Falls are Siamese twins who live in a neat little room in a rundown hotel. While sharing some organs, Blake is always fit and Francis is very sickly. Into their world comes a young lady, who turns their world upside down. She gets involved with Blake, and convinces the two to attend a Halloween party, where they can pass themselves off as wearing a costume. Eventually Francis becomes really ill, and they have to be separated.
Madeline is one of twelve little girls at a boarding school in Paris. They all act exactly alike except things are always happening to Madeline. When she gets appendicitis all of the girls visit her and are impressed by her scar. Later the other girls claim they too are sick and want an operation. The head of the school smiles because she knows all is well.
The titular Marie-Louise is a young French lass who is evacuated to Switzerland when her country is overrun by the Nazis. Suffering a nervous breakdown, she is given comfort and shelter by a wealthy family. Unfortunately, living in the lap of luxury makes Marie-Louise hesitant to return home to her mother and war torn home. Eventually the girl comes to her senses, but it isn’t easy.
When it was released in 1950, The Sinner inspired vigorous protests and caused huge controversy for a film industry just getting back on its feet. Its tale of a young woman who survives as a prostitute after the war and later falls in love with a dying artist shocked conservatives and religious authorities. A popular actor and director of comedies since the 1920s, director Forst, in his first postwar movie, reveals a considerable feeling for melodrama. His narration proceeds without any sensationalism, and the theme of a great, ill-fated love is skillfully developed through the unfolding memories of the woman.