In a small English coal town, aspiring artist Paul Morel sets out to break free of the difficult mining life that has hardened his father, Walter, and killed his brother. His wishes appear to come true when local art lover Henry Hadlock offers to send him to art school in London. However, Paul’s deep love for his kind but possessive mother, Gertrude, threatens to keep him from abandoning his old life.
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Fred Hampton was the leader of the Illinois Chapter of the Black Panther Party. This film depicts his brutal murder by the Chicago police and its subsequent investigation, but also documents his activities in organizing the Chapter, his public speeches, and the programs he founded for children during the last eighteen months of his life.
A landmark in African cinema, Souleymane Cissé’s film is set in the Malian empire of the 13th century and depicts the quest of a young son across the West African landscape to confront his father, a tyrannical magician. Although the film’s mythic narrative and arresting visual style lend it universal appeal, Yeelen’s use of Bambara, Fulani, and Dogon languages and its representation of power struggles across generations have been interpreted as a commentary on Malian politics of the postcolonial era.
Three men kidnap a young girl and keep her in a small house on an isolated beach, waiting for her father to pay up the ransom. But the youngest one, in charge of watching her, let accidentally the girl see his face and it becomes no longer possible to return her alive…
A slick New York assassin accepts an unusual hit: a woman who not only is expecting him, but who is more than willing to be murdered. Now he’ll come face to face with emotions he never suspected he was capable of having.
Two energetic sisters, a journalist and a gymnast, can’t afford to go to the USA, where the latter one has a championship. So they decide to steal it. Theft, however, can be addictive.
This innovative and darkly humorous Korean outing features neither pigs nor wells. The film was written by four writers, each of whom was in charge of developing one character apiece. After each basic plot was created, the director allowed the actors to improvise. The four characters are an unsuccessful novelist who hates himself, his icy girlfriend, her salesman husband, and a pretty ticket taker at the local cinema who secretly loves the writer.
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Made in the early years of internet chat rooms, Yoshimitsu Morita’s mid-1990s standout follows a young salaryman in the city with the username “[Haru]” who becomes fast friends with a fellow named Hoshi who lives in a rural town. Their anonymity allows them to open up about their loves, struggles, and cinephilia. One day, Hoshi reveals that she is a woman, but that doesn’t damage the strength of their friendship. Eventually, the two finally decide to meet in person. Morita’s keen interest in new technology and an enduring love for trains come together to create a charming tale of connection in an alienating world.