In the light of the moon, a young torero leaves his village to go and fight the “Toro”. An accomplice, dreamlike confrontation, where the interplay of shadows and silhouettes brings back the splendor of bullfighting mythology.
Tag: FRANCE
This hilarious film alternates three kinds of material: footage of barking dogs, shots of streets and other locations, and a ludicrously overdetermined melodramatic story, illustrated chiefly by a series of stills (and occasionally by shots in motion) and narrated off-screen. The net result of its combined strategies is to reveal melodrama itself as a pure formal mechanism, with characters and plot reduced to the status of necessary props.
The fantasies and dreams of two over-the-hill actresses are intertwined with their realities, as the two roommates struggle to survive their day-to-day lives in the expensive and difficult world of Paris.
François Truffaut said of Paul Vecchiali in his early days that he was “the only true heir of Jean Renoir.” The first short film of this director, who was to become a singular figure of independent French cinema, follows the path of an elderly woman towards her memories and beyond. Attentive, affectionate and sometimes cruel, Vecchiali’s camera invents its own expressive language.
A rundown suburban villa is home to three individuals who live happily together. Fernand and Alexa are fugitives from ill-fated marriages; Louis is a young bisexual musician who couldn’t get on with his parents. The strange ménage attracts the attentions of a police inspector, but he is also drawn into this world of mutual tolerance and free love, becoming their friend when his own wife leaves him. The happy community looks as if it might be falling apart when Fernand falls in love with a young middleclass woman…
Maria learns that her aunt Oriana has died and willed her a crumbling and remote Venezuelan hacienda where Maria spent a short time as a girl just entering puberty. Maria goes to the hacienda to prepare the place for sale; while going through her aunt’s papers, she recalls her visit years’ before. In flashbacks, we see the young Maria trying to sort out why Oriana never leaves the hacienda, what secret may be in Oriana’s past, and who the mysterious Sergio was. The young Maria, as she learns things, imagines her aunt’s youth, cruel father, and first love. After these reveries within reveries, Maria, now a grown woman, makes one more discovery.
Alexandre, a TV reporter, is working for a few days in a border town, where a lot of refugees from Albania, Turkey and Kurdistan are packed in. Among them, he notices an old man and thinks he is an important Greek politician who disappeared mysteriously a few years ago. Back in Athens, he asks this politician’s former wife to come and identify him. A slow and dry meditation about the inhumanity of borders.