In this war drama blurring the lines between documentary and fiction, the working class and the bourgeoisie of 19th century Paris are interviewed and covered on television, before and during a tragic workers’ class revolt.
Mourir à Madrid brings together several papers on the Spanish Civil War and integrates capturing different points of view, intended to represent the continuity of the suffering of the Spanish during the Franco regime. The death of Federico Garcia Lorca, Guernica, the defense of Madrid, the International Brigades, are some of the items comprised in this documentary.
The chauvinist Alexandre balances relationships with several women, including the maternal Marie and the sexually liberated Veronika, in the post-1968 intellectual scene of Paris.
Adapted from a novel by Georges Simenon, the story concentrates on a gang of thieves who utilize a cross-road garage as the hideaway. During their last caper, the gang has accidentally murdered a jewel thief, and the heat is on.
Maldone is a canal worker, happy with his life after running away from his family estate. He falls in love with Zita, a young gypsy girl, during a local fete. However, after his brother dies, Maldone is called back to manage the estate. There, he takes up the life of a landowner and marries a neighbor’s daughter. Years later Maldone is still restless on the estate, and becomes obsessed with Zita, after meeting her by chance one evening.
Victor Meynard is an assassin for hire, and he’s proud of it. It’s part of his family’s business. However, in this comedy, there are occasions when he simply cannot bring himself to pull the trigger and make a “hit.” Instead, he adopts the boy who would have fallen to his gun, and trains him in the niceties of the assassin’s game. He is assigned to kill an art forger who is much too cute for such a fate. When he adopts her as well, things really start to get out of hand.
A man poses as a mysterious admirer to find out whether his wife would cheat on him.
French diplomat Dominique Auphal is put under surveillance by an unnamed secret service. They wish to find a weakness in his life in order to control him politically. Auphal becomes “File no. 51”: his private life is spied, analysed and commented.