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Documentary on the life and works of the 20th century Polish artist, Tadeusz Kantor. Traces his roots as a visual artist in Poland and explores his methods of designing props. Includes rare scenes of Kantor at work with the dedicated actors in his troup Teatr Cricot 2. Features extensive segments, in Polish, of his most famous works, Wielopole, Wielopole and The Dead Class.
Tag: FRANCE
Since the death of his mother, Pascal, ten years old, spends his holidays with his father, the rich Laurent Segur. One day, when diving near the shores of Corse, an aircraft falls into the sea. The holiday goes on happily with Catherine, the young and pretty girlfriend of Laurent. But soon blue marks appear on the face of Pascal. He has been contaminated by a nuclear weapon carried by the destroyed plane, and he won’t survive more than six months. There is nothing Laurent can do, except give his son the best six months he has ever lived.
Since the death of his mother, Pascal, ten years old, spends his holidays with his father, the rich Laurent Segur. One day, when diving near the shores of Corse, an aircraft falls into the sea. The holiday goes on happily with Catherine, the young and pretty girlfriend of Laurent. But soon blue marks appear on the face of Pascal. He has been contaminated by a nuclear weapon carried by the destroyed plane, and he won’t survive more than six months. There is nothing Laurent can do, except give his son the best six months he has ever lived.
Based on a Francoise Sagan play, the film involves a group of eccentric jet-setters who gambole around a huge French chateau dressed in 1750s costumes. A young man on the run takes refuge in this curious household, and is gradually sucked into the soft-core sensual practices of its offbeat denizens.
A middle-aged TV reporter goes to the inn of a small Swiss village to do a programme with a reclusive scientist, an expert on world food shortages. During this time, a local worker is killed in a road crash and the reporter becomes involved in uncovering the truth about his death.
In this bold documentary Marie Mandy asks the question: how do women directors film love, desire, and, especially, sexuality? In rare interviews with many of the leading women directors working in the world today, FILMING DESIRE directly engages the sexual politics of cinematographic choice.
Yaaba unfolds in the spectacular landscapes of rural Burkina Faso in a mythical time when peasant life was still unspoiled by colonialism. It is the story of a friendship between Bila, Nopoko and an old woman shunned as a witch by the rest of the community. Unafraid of her, twelve-year old Bila calls her “Yaaba” (grandmother) and learns the value of intolerance and his own worth as a human being. Ouédraogo, who shot the film in his own village, said that it was “based on tales of my childhood and on that kind of bedtime storytelling we hear just before falling asleep.”
This first feature film on homosexuality from sub-Saharan Africa is a contemporary African reinterpretation of the age-old Romeo and Juliet conflict between love and social convention. When Sori and Manga tell their parents they are in love, they respond that, “It’s impossible; since time began, it’s never happened. Boys don’t do that.