Middle-aged businessman, Simon Léotard finds his future in jeopardy when his partner Julien commits suicide after having accumulated a mass of debts. Simon’s unscrupulous business rival Lépidon offers to save him from bankruptcy by buying his company, at a discount rate. Reluctant to fall into Lépidon’s trap, Simon decides to resolve the crisis himself. A prostitute, Mado, provides him with the solution to his problems…
Tag: FRANCE
Period piece about a Brazil that is no more. This movie is the sequel to “Black God, White Devil”, and takes place 29 years after Antonio das Mortes killed Corisco (the “Blond Devil”), last of the Cangaceiros. In “the old days”, Antonio’s function in life was to exterminate these bandits, on account of his personal grudges against them. His life had been meaningless for the last 29 years, but now, a new challenge awaits him. When a Cangaceiro appears the local Land Baron, an old man, does what seems obvious to him: he calls Antonio das Mortes, killer of Cangaceiros. At first, Antonio is ecstatic. His life has gained new meaning. But soon it becomes obvious that this new Cangaceiro (named Coirana) is no Corisco, but an idealist.
In the wake of a young man’s suicide attempt, his family gathers in their large house in the country, where complex interrelationships play out against a tense vigil. Winner of the 1991 Jean Vigo Prize, Desplechin’s rarely screened featurette displays many of the hallmarks of his mature style: the deft handling of a sprawling cast of characters (played by several Desplechin regulars, including Emmanuelle Devos), the nuanced understanding of family dynamics, and the wide-ranging literary allusions. All come together in an incisive, poignant examination of the myriad ways we deal with tragedy.
Made as part of “All the Boys and Girls of Their Age”—a critically acclaimed anthology series conceived around decade-specific rock-and-roll soundtracks that marked a moment of renewal in French cinema and helped launch a new generation of directors including Olivier Assayas and Claire Denis—Mazuy’s television film centers on Christine, a high schooler in late 1970s France who is enamored of John Travolta. When Christine is randomly picked up and seduced by Nicolas, a brooding teenager fascinated by Friedrich Nietzsche, they immediately face obstacles to their relationship, but nevertheless develop an awkward yet intense romance.
Amidst the wreckage beneath the ruined statue of the Buddha, thousands of families struggle to survive. Baktay, a six-year-old Afghan girl is challenged to go to school by her neighbour’s son who reads in front of their cave. Having found the money to buy a precious notebook, and taking her mother’s lipstick for a pencil, Baktay sets out. On her way, she is harassed by boys playing games that mimic the terrible violence they have witnessed, that has always surrounded them. The boys want to stone the little girl, to blow her up as the Taliban blew up the Buddha, to shoot her like Americans. Will Baktay be able to escape these violent war games and reach the school?
39-year-old François meets 22-year-old Muriel. She agrees that on a certain day they will meet at a hotel and he will see her naked, and promises not to sleep with her at that occasion.
Documentary on the life and works of the 20th century Polish artist, Tadeusz Kantor. Traces his roots as a visual artist in Poland and explores his methods of designing props. Includes rare scenes of Kantor at work with the dedicated actors in his troup Teatr Cricot 2. Features extensive segments, in Polish, of his most famous works, Wielopole, Wielopole and The Dead Class.
Since the death of his mother, Pascal, ten years old, spends his holidays with his father, the rich Laurent Segur. One day, when diving near the shores of Corse, an aircraft falls into the sea. The holiday goes on happily with Catherine, the young and pretty girlfriend of Laurent. But soon blue marks appear on the face of Pascal. He has been contaminated by a nuclear weapon carried by the destroyed plane, and he won’t survive more than six months. There is nothing Laurent can do, except give his son the best six months he has ever lived.