Young Carmilla is jealous of her friend’s engagement, and her obsession leads her to the tomb of a female vampire. The vampire possesses her and leads her to kill and terrorize the inhabitants of the estate. But is it all in her mind, or is she really under the control of an ancient vampire ancestor?
Tag: FRANCE
Parking is director Jacques Demy’s homage to Jean Cocteau’s 1948 masterwork Orpheus. As in the Cocteau film, Demy relates the Orpheus and Euridyce legend in a contemporary setting. Now a rock ‘n’ roll sensation (instead of the poet of the Cocteau film) Orpheus falls in love with Eurydice, who in this version is a sculptress rather than a princess. The rest of the film adheres to the familiar story. Euridyce, who is death personified, beckons Orpheus into Hell, ostensibly to revive his dead lover. A shade brighter and more buoyant than its source material, Parking is the usual Jacques Demy brew of beautiful imagery and hokey dialogue.
The story of Andre Menard, a promising young amateur boxer from an impoverished background who is mentored by former pro Victor Le Garrec, and whose career path takes a nosedive when he falls for the wealthy Corinne.
——UPGRADED——
A million miles away from ‘Camelot’ or ‘Excalibur’, this film ruthlessly strips the Arthurian legend down to its barest essentials. Arthur’s knights, far from being heroic, are conniving and greedy men who, just before the film starts, have failed miserably to find the Holy Grail. Aimlessly resentful at first, the developing relationship between Lancelot and Queen Guinevere focuses their rage, leading to inevitable tragedy…
When the men of a Sicilian village start obsessing over ravishing blonde midwife Jessica , angry females revolt by refusing to have sex with their husbands. As the local priest tries to encourage procreation, Jessica falls for a tricky recluse. An adaptation of a Flora Sandstrom novel, this charming comedy also features Noel-Noel as a matchmaking old-timer.
Elle steps off the balcony of her Parisian apartment, plunging to her death. Why has she done it? As her pawnbroker husband, Luc, looks over her dead body, director Robert Bresson’s eerie, elegant picture traces their lives together in flashback. Elle is the “Gentle Creature” — meek, dreamy and thoughtful. She entrances Luc, who pursues her passionately. They marry, but the match never seems right, and things turn sour, grimly heading toward an inevitable end.
Hélène, who has just broken up with Raoul, a dentist, lets herself be seduced (though not without great resistance) by the obstinate Serge. Raoul, a modern Don Juan, now focuses on charming Sophie, a pretty patient of his, but is beaten on the finish line by… the young woman’s ex-husband. On the prowl again, Raoul, usually an experienced lover, makes the first flop of his career with Mathilde, too beautiful and too quick-witted of a creature for him…
Mathias is a Belgian linguist, living with French theatre producer Anne. After a quarrel about moral questions, they take a train to attend a congress. While Mathias sleeps, Anne disappears. The train stops in the middle of the country and Mathias gets off the train with an older man, Hernhutter, and a young one, Val. The train moves off without them being able to catch it up. They will find a village, but cannot get any help because they do not understand a word of what the inhabitants say…