A quality war film does not necessarily need spectacular aerial dogfights and bombed cityscapes. Only those movies have truly something to say that go beyond the crack of rifle fire to present personal dramas as well. Ferenc Kósa’s unusual, pacifist war film depicts the hell of carnage in all its senselessness. Characters of this gaunt, tight-lipped story wander through a beautiful landscape seeking their own truth or just the possibility of survival. The film is all the more memorable for the cinematography of Sándor Sára, the powerful screenplay and the acting of, for instance, Péter Haumann.
Tag: BULGARIA
The history of the first victim of modern artillery and its moving agony, amidst conspiracies and betrayals of the powerful. Life and death of Giovanni De’ Medici, a young brave captain in the war of Charles V against the Pope, in the first half of 1500.
Scissors dance like a ballet dancer on sheets of paper. She carves the sun, the flower, the fish. The boy needs new toys. Scissors offers colored cubes and patterned balls. And then she cuts out the girl. A naughty boy wants all the toys for himself. The girl is offended and hides. The boy understands that being alone is boring. Then the scissors cut out many more boys and girls. The fun games begin.
A groom-to-be wakes up in the morning of his wedding to strange visions triggered by his impatience… Though the nuptial feast is in full flow, the groom is still daydreaming. On the wedding night, the bride ups and melts away before his eyes exhaling air as a deflated balloon…
Bella, a sensitive and clever girl, experiences her first disillusionment at the school graduation ball. The following morning, she meets Apostol, a middle-aged man, architect, and former participant in the anti-fascist struggle. He reveals to her his views on life. He introduces her to Bufo, a younger person, and a failure as an actor although possessing “the talent of a friend”. Thus the trio is formed. Bella marries Bufo, though Apostol remains the man and person whom she would have desired to meet in her lifetime.
During World War II, by way of covert communication in besieged Sofia, Veska joins a group of teenage anti-fascists. Here she meets Dimo, a handsome, passionate member of the small but ferocious resistance. As the group strives to thwart Nazi advancements in Sofia, romance blossoms between Veska and Dimo. With an ambitious stylistic eye, Zhelyazkova masterfully directs a story of forbidden love and the relentlessness of teenage conviction.
The fundamental questions of human life about guilt, repentance, and redemption are addressed in the two-fold documentary essay delving into the grief of the women from Sliven Prison who give birth to their children behind bars. Binka Zhelyaskova anatomizes a deep collective trauma through the unique stories of her heroines. The film wasn’t screened in the theaters until 1989, following a series of changes in the country’s social milieu.
Ivan’s best friend, Kamen, is in an American hospital, in coma after an accident. Since he’s denied a visa to the USA and can’t stay by his side in his last moments, Ivan decides to set off for Bulgaria countryside, taking the camera Kamen has given him. There’s a legend in Kamen’s place of birth – a small mountain village – that one song could bring people back to life. Ivan starts a journey to find it and record it, collecting a myriad of stories along the way. Will he succeed?