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Louis Trebor, a man nearing 70, lives alone with dogs in the forest near the French-Swiss border. He has heart problems, seeks a transplant, and then goes in search of a son sired years before in Tahiti. Told elliptically, with few words, we see Louis as possibly heartless, ignoring a son who lives nearby who is himself an attentive father to two young children, one named for Louis. He leaves his bed one night – and his lover – to kill an intruder; he dreams, usually of violence. Will his body accept his heart? Will his son accept his offer?
Tag: 2000s
This documentary outlines the ways in which British policies during the First World War have contributed to the instability of the Middle East region today. Through never/before/seen documents and photos, we look at the secret agenda of the British government in WWI and its unfortunate aftermath.
Edward Monskii, is in a very bad shape, and Botter Gaarman, obviously tired, are in the terrace of a coffee of a Mediterranean city, ready for a long time prepared mission. When a quite old man, Ernest Carpentier, joined their table, the situation becomes tense and dangerous.
The female Moroccan musicians known as sheikhates sing about the realities of life – about the land, nature, wars, mountains, crises and, of course, they sing about love. In short, their music represents the heritage of Morocco. Director Ali Essafi offers a marvelous portrait of the daily lives of these regional folk singers, exploring how their music has evolved over the years – along with society’s acceptance of the women who perform this music in public. SHEIKHATES BLUES features interviews with many of the popular musicians of today, who perform a number of their wonderful songs, and culminates with a colorful sheikhates performance at the Rabat Music Festival of 2003.
In 1969 Palestinian Leila Khaled made history by becoming the first woman to hijack an airplane. As a Palestinian child growing up in Sweden, filmmaker Lina Makboul admired Khaled for her bold actions; as an adult, she began asking complex questions about the legacy created by her childhood hero. This fascinating documentary is at once a portrait of Khaled, an exploration of the filmmaker’s own understanding of her Palestinian identity, and complex examination of the nebulous dichotomy between ‘terrorist’ and ‘freedom fighter’.
The least known massively influential person in international cinema, Pierre Rissient is a samurai warrior on behalf of the films he believes in. Instigator of the Cercle MacMahon, assistant director on “Breathless,” champion of blacklisted filmmakers, confidant of Ford and Walsh, Hawks and Lang, Pierre was the first to detect the potential of Clint Eastwood, director, brought Chinese cinema to Cannes with “Touch of Zen,” discovered Jane Campion and has been a key behind-the-scenes figure in Cannes for more than forty years; he is also the only person who can circulate freely in the Palais du Festival at all hours in a t-shirt. In this film, surrounded by those he has promoted through the years, Pierre Rissient himself finally moves into the spotlight.
Francis, a 16-year-old boy, is unaware of any connection he may have to his new teacher, but it clear that the weight of the past is heavy burden on Olivier. While struggling to maintain a professional distance in Francis’ presence, he can’t stop himself from following the boy through the training center hallways and through the city streets after class. In vain, Olivier tries to understand the motivations of his acts, however, as the film advances, they slowly come to know each other and the relationship between the two psychologically bruised characters is strengthened.