The familiar conflicts of a film director planning to make a movie about his life and the confrontation he has with his wife, an actress who was turned down for such project in which she wanted to play herself.
The familiar conflicts of a film director planning to make a movie about his life and the confrontation he has with his wife, an actress who was turned down for such project in which she wanted to play herself.
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Louis, a nine-year-old boy from Paris, spends his summer vacation in a small town in Brittany. His mother Claire has lodged him with her girlfriend Marcelle and her husband Pelo while she’s having her second baby. There Louis makes friends with Martine, the ten-year-old girl next door, and learns from her about life.
The film centers around a group of elderly residents of an old San Francisco hotel and are threatened with eviction when a developer wants to demolish the structure. Initially, they feel resigned to their fate, but a young desk clerk gets involved and helps spearhead a resistance.
Alexa is very attentive to her customer’s requests, but soon realizes that prostitution has limited long term career potential. She meets Tony, a scriptwriter who is writing a piece on prostitutes. Alexa falls for him, and decides to leave the profession. But her pimp has other ideas.
April 5, 1943: a battalion of the Foreign Legion arrives in El Ksour, Tunisia, to escort a fortune in gold bars to the home front. A German ambush awaits, and all but four die. Thanks to the street smarts of Sergeant Augagneur, the Legionnaires successfully counter attack. The bank manager and his seductive wife arrive, and so does a German lieutenant, whom the French arrest. Augagneur wants to steal the gold; warrant officer Mahuzard wants to do his duty. A series of alliances form and break apart, the group dwindles in number, and the gold heads south toward Betahoua. But in whose possession?
The film is related from the point of view of Alsino, an impoverished Nicaraguan lad. While his country and its rotting buildings crumble all around him, the idealistic Alsino imagines himself to be a condor, flying far above his deprivations. It is during one of his hallucinations that Alsino jumps from a tree; the fall cripples him, turning him into a hunchback. He will only straighten out to his full proud height upon joining a guerilla band, fighting the corrupt government armies. Significantly, Alsino & the Condor was the first production to be filmed in Nicaragua after the Sandinista revolution and the overthrow of Somoza.
When the convent is about to be closed and the nuns are dispersed, one of the sisters comes up with a saving idea that can restore the community’s well-being. This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time.
A videotaped production of the Frederick Knott play in which three criminals play an elaborate scam on a blind woman who is in possession of a doll that, unbeknownst to her, is very incriminating. The play had already been famously adapted for the screen in 1967 starring Audrey Hepburn. This 1982 version was frequently shown on HBO in the 1980s.