Based on Sam Greenlee’s novel, The Spook Who Sat by the Door tells the story of Black CIA agent hired to showcase agency integration in order to boost a white senator’s re-election campaign. After going undercover as a Black nationalist, he abandons the agency in order to train young recruits in Chicago to become urban guerrillas. Though filmed mostly in Gary, Indiana due to Mayor Daley’s personal distaste for the subject matter, the landscape of Chicago casts a strong shadow over the movie.
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An homage to action films, it tells the story of a chase using scraps of other films as different types of animation (using 65,000 paper printouts of images from 400 live action films) illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy’s secret headquarters.
Norman Foster is widely considered to be one of the world’s greatest living architects. While other international practices have succumbed to commercial pressures, Foster has retained a reputation for innovation and originality. He is also highly respected for his flair when adapting or converting older buildings to present-day needs. His designs are always rooted in his concern for minimal environmental damage and maximum technological efficiency.This film follows Foster at work in his office and on the site of some of his major new projects, including the Law Faculty at Cambridge University and the telecommunications tower in Santiago de Compostela.
A woman, Betty, is visited by a cleaning product salesman, Farnesio, the day she is going away on a trip. The salesman stays in the house and as they have some drinks a series of bizarre events occur.
On his 40th birthday, a man engineers a revolt against himself. He telephones his lovers — all four of them — and arranges to meet them at his dance school that afternoon. The women are shocked to discover that they have been sharing the affections of the same man. He arrives and tries to explain his actions. He has realized that time is limited for each of us. Total honesty is the only answer. One by one we review the beginning of each affair. The man and his lovers discuss passion, possession, time.
The story of two 17-year-old boys. They are wearing medals around their necks. They have their pockets full of chewing gum something that they chew ceaselessly. They are wearing blue jeans. They spend the day along the beach front in Cannes looking for girls to win over.
In a small village in Provence, on the first day of school, a young boy throws his bag into the river on a bet, and the retrieval of it leads to a thrilling adventure.
A landmark of both experimental and queer filmmaking, Kenneth Anger’s film is a bizarre, disturbing dreamscape of violation, rape, and homoerotic sadomasochism. The film opens with Anger, who made this film when he was only 17, awaking from a troubled dream and leaving his house to go on a stroll. He is confronted by a band of buff sailors who proceed to beat, manhandled, and molest him. Recalling other surrealist masterpieces such as Un Chien andalou and Meshes in the Afternoon, this film uses elliptical narrative structure and dream-like visual metaphors and puns.