Originally a black religious song, then a union organizing song, “We Shall Overcome” gradually became the protest anthem that set America marching towards racial equality. By tracing the sources of one song, the film uncovers the diverse strands of social history which flowed together to form the Civil Rights movement. Joan Baez, Pete Seeger, Julian Bond, Andrew Young and others reminisce about what this song meant during the sit-ins, voter registration drives and protest marches of the sixties.
rarefilmm | The Cave of Forgotten Films Posts
A nurse from Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life…
Tomasz, a doctor, and atheist, is diagnosed with cancer. His ex-wife offers him the money for treatment in Paris, but his lung cancer is past the operating stage. Facing imminent death, he questions the beliefs he has held all his life and starts experimenting with both his own life and those of others.
Documentary portrait of writer and performer Spalding Gray, tracing his journey from his Rhode Island childhood to his rise as a celebrated monologist. Through interviews, performance excerpts, and reflections, it explores how he transformed personal experience into art. The film highlights his distinctive storytelling style—wry, confessional, and deeply human—revealing the creative process behind his acclaimed stage works.
Monologuist Spalding Gray talks about the great difficulties he experienced while attempting to write his first novel, a nearly 2,000-page autobiographical tome concerning the death of his mother. Among his many asides, Gray discusses his problems in dealing with the Hollywood film industry, recounts the trips he took around the world in order to avoid dealing with his writer’s block and describes his ambivalence about acting as stage manager for a Broadway production of “Our Town.”
The film tells the true story of the Lenkey-Hussar battalion. It depicts naturally the obsessed and ill-weighed assertion of home sickness and patriotism thus revoking the memory of 1848. Obeying the pressure of the Empire the Hussar regiment of Paál Farkas and his companions has to be stationed in a small Polish town. Upon receiving the news on the revolution and freedom fight in Hungary, the Hussar Korsós attempts to desert.
In late-1970s suburban London, Chris and Marion have settled into a comfortable yet all-too-predictable middle-class existence. Chris receives an unexpected visit from his free-spirited friend Toni, a reunion that reminds him of a more carefree time in 1960s Paris. Now, with lingering doubts about his marriage bubbling up, Chris must make the choice between revisiting his youthful abandon with Toni or facing the here and now with Marion.
Il Ladro di Bambini begins in Milan, where Sicilian siblings Rosetta, 11, and Luciano, 9, live with their destitute mother. The woman regularly prostitutes Rosetta and is arrested; her children are immediately made wards of the court. Carabiniere Antonio Criaco is assigned to escort them to a foster home in a mission that appears to be simple. Yet, years of abuse forbid the siblings to trust, obey, or even like Antonio. Rosetta is hostile and demanding; Luciano is sullen and remote. When the Catholic foster home will not accept the children on the grounds of Rosetta’s past, Antonio independently decides to bring them south to a home in Sicily.