Giacinto Rossi, a poor driver up to his neck in debt, is imprisoned for simulated crime. He finds himself in a cell with Tagliabue, an unscrupulous murderer; Sorcio, an elderly thief; and Papaleo, an honor-obsessed intellectual who murdered his fiancée’s lover. Giacinto is forced by the three men to make a daring escape from prison.
rarefilmm | The Cave of Forgotten Films Posts
Maicol’s mother Anita is distracted by too many concerns to pay him much mind, so Maicol seeks fulfillment in his inner life, which is very busy and rich. The five year-old has made a world for himself populated by situations and people from the movie Dune, and anything he says to anyone is unlikely to refer to anything else. When his unmarried working mother takes him with her to the train station for her rendezvous with her lover, he occupies himself during their long wait by exploring everything in sight. Unused to dealing with anything but his fantasy life, after he gets himself lost he is of no help to the police in their search for his mother.
Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless, Simone has it performed every day in her nightclub. Her employees use their female charms to let the representatives of law enforcement look the other way – and even attend the shows. Then the young ambitious judge Philippe Forrestier decides to bring this to an end. Will Simone manage to twist him round her little finger too? Her boyfriend, Francois, certainly doesn’t like to watch her trying.
White-collar worker Yamashita finds out that his wife has a lover visiting her when he’s away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he “befriended” in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn’t let her become close to him.
In this remake of the 1973 horror hit “The Exorcist”, a 12 year old girl named Gul, living with her mother in a cozy, high society life in Istambul becomes possessed by the Satan himself through a Ouija board and a troubled psychiatrist and an experienced exorcist become the girl’s only hope for salvation.
Young Sabu is a happy stable boy in the kingdom of Samukan, in charge of taking care of the Caliph’s elephant. Searching for a lost diamond, he finds instead a mysterious ring which, unbeknownst to Sabu, conjures up a genie when he rubs it.
A few months before the passing of his friend and close collaborator dramaturge Saadallah Wannous, Omar Amiralay listens to his friend’s somber and relentless words, a farewell to a generation for whom the Arab-Israeli conflict has been the source of all disillusion.
James Ivory’s second documentary, The Sword and The Flute, also dealing with schools of art, grew out of his experience in making Venice: Theme and Variations. Only here, instead of photographing works by the Italian masters, he has used superb examples of Indian miniature paintings. Ivory’s intelligent script, narrated with feeling by Saeed Jaffrey, and accompanied by the music of Ravi Shankar and Ali Akbar Khan, traces the history of Indian miniature painting after the Moghul invasion as it develops into two principal schools, the Moghul (Muslim) and the Rajput (Hindu).