This film of constructivist composition, shot in Moscow in 1987 depicts a series of maps of tramway electrical wire networks framed by the sky, shot from below. Sometimes the top of a tram slides along the frame. The distances between the electrical cables across from the video camera introduce subtle contrasting variations between the black lines that streak the neutral field, reducing the city to a geometric and dynamic construction.
Category: Short
Uncle Moustache’s tale shows a developement of an emotional relationship between an old man who has rested heartsick in his solitude for years, and the children who are joyous by nature. The old man lives in a room beside an abandoned site, where children have transformed it into a soccer lot. He is disturbed by children’s commotion. Till one day, children’s ball hits the old man’s window pane and breaks it…
The film tells the story of a fly, which falls into a large garden on an autumn day. The fly is fleeing because the occupant of the house wants to hit her. During the few minutes of the story, the viewer sees the world through the eyes of the fly, describing it from the insect’s point of view.
Rudyard Kipling’s tale of how the elephant got its trunk has always delighted with its playful use of language. Never has there been a more satisfying rendering of this “Just So” story, which explains what the world was like “in the beginning of years when the world was new and all…”. Illustrated by Tim Raglin.
A sweet reminiscence about a family of four children and their RAF-veteran dad, who knows the timetable of every bus in London, but realizes his large family needs a car. He buys a Peugeot station wagon – license plate GFP831E, and the family sets off for annual holidays exploring every corner of Europe – “adopting local customs but never forgetting who won the war.” The narrator is one of the children who, as he ages, sees things he missed as a lad – the car no rocket, dad no speedster. As the years wear on, and the car sits in the driveway, dad keeps it ready for the next great summer holiday.
Woody Allen talks about his life and work as a writer, dramatist and film-maker and discusses his creative sources, theoretical approaches and working methods. Shows scenes from some of his major films including “Annie Hall”, “Love and Death”, “Sleep”, “The Night Club Years” and “Take the Money and Run”.
Kurt Vonnegut, Jr., discusses his development as a writer, including reference to some of his major novels, his themes and their meaning, his relationship to other writers, problems in sustaining his special vision of American life, and his future. Accompanied by photographs which chronicle the author’s life and selections from home movies taken during his youth.