The film that kickstarted the New Taiwanese Cinema movement, ‘In Our Time’ is a rebellious ode to youth in four vignettes of ’80s teenage life. The film includes a rare, never-seen-before piece from the late Edward Yang (‘Yi Yi,’ ‘A Brighter Summer Day’).
Category: Drama
This gripping docudrama is a fictionalized account of what could happen to a Japanese family when one of their sons shames them in front of the entire nation. Director Masaki Kobayashi has used real events so the dramatic turns in the film are based on fact — a 1970s shootout in the mountains between a band of Japanese terrorists and the police in which many men on both sides died.
Lieutenant Rip Crandall is hoodwinked into taking command of the “Wackiest Ship in the Navy” – a real garbage scow with a crew of misfits who don’t know a jib from a jigger. What none of them knows, including Crandall, is that this ship has a very important top-secret mission to complete in waters patrolled by the Japanese fleet. Their mission will save hundreds of allied lives – if only they can get there in one piece.
After Thérèse is acquitted of trying to poison her husband, Bernard Desqueyroux, she recalls the events that lead to her being charged. At the beginning of her marriage to Bernard, the only respite she found from the stifling provincial life was the company of her sister-in-law Anne. After Anne left, she found herself trapped in a loveless marriage to a boring man, whose only interest was in preserving his family name and property. By accident, Thérèse found that an increase in Bernard’s medicine made him very ill.
Betty Foster, a high school student, has a crush on Bobby Evans, who is more interested in sports than girls. Betty and her kid brother, Herbie, follow Bobby and Lucille Stewart, Betty’s competitor in the pursuit of Bobby. Betty’s efforts to have Bobby crowned King of the Camp, and win his lover, almost ruin her father, Joe Foster, financially.
Singer Oksana has lost her beloved in the war. Everyone thinks he perished, but actually he was taken prisoner, then ran away, hid, fell into American hands, and… finally, he returns to his village, and meets Oksana.
After the shuttering of a local mine, villagers in a tiny Sicilian town are desperate for work. Widower Saro decides to try his luck in France with his three children. He buys passage abroad from Ciccio, a guide who is to accompany him, his family and several others on their trek. Along for the ride are Barbara, and her boyfriend, Vanni. While the group travels across Italy, perils, as well as new relationships, are unavoidable.
In Paul Verhoeven’s sexual psychodrama Turkish Delight — an adaptation of Jan Wolkers’ best-selling erotic novel — Rutger Hauer is Eric, an Amsterdam artist whose paintings and sculptures are all perverse. He spends his days wandering around the city and picking up young female lovers — whom he beds and then tosses aside mercilessly — and keeps an extensive scrapbook of mementos from his bedmates. Eric is deeply haunted, however, by a dysfunctional past relationship. He only fell in love on one occasion: with Olga, a mentally unstable woman dying of a brain tumor.