If one were to select the ten most significant events in American history, there would be no doubt that the death of President John F. Kennedy would be among the list. This is not only because of the fact that one of America’s most visionary presidents was cut down in the prime of his life, but because almost 60 years later after the fact, his assasination continues to be shrouded with mystery and controversy. This documentary presents the facts surrounding the events before, and ather that horrific moment in Dallas, and includes interviews of those who were on the scene not only at the tragic sight of the murder of JFK, but also a number of individuals who possess firsthand knowledge of everything from the politics of the day to the actualy autopsy performed on the president.
Category: Documentary
MEET MARLON BRANDO is a delightful, unusually candid portrait of the world-famous movie star: A tongue-in-cheek confrontation with the press. While television journalists interview him about his most recent film, Brando counters their futile questions with wit and insight, a man unwilling to sell himself. “It’s a wonderful show,” one woman comments about the new project. “Did you see it?” he asks. “No, I haven’t seen it yet.” “Then how do you know?” Always smiling and never modest, Marlon Brando shines in one of his most revealing performances.
This student film takes a look at the small town of Camden during the 1960s. Much of the town is focused on the locomotive and logging industry created by the W. T. Carter and Brother Lumber Company in 1898. The film revolves around interviews with Camden residents. Former logging employees, a hotel owner, a family, and a pastor all briefly describe their lives and rolls in the old town. By the end of the film, the narrator recounts possible modernization and decreasing poverty in the future with the sale of W. T. Carter and Brother Lumber Company to the United States Plywood Corporation.
Documenting and contrasting children’s youthful beauty with the squalor, hardship and wasted potential of their daily lives; students learning how their counterparts really live and are encouraged to think about what these children need to thrive.
My Survival As An Aboriginal rocked Australia and the world with its presentation of atrocities and hardships committed against Aboriginal people. The movie delves beneath surface appearances to reveal a strong resistance to assimilation and loss of identity, as the late Essie Coffey, a Murrawarri woman, takes us into the Aboriginal struggle for survival. She documents the effect of dispossession, the chronic depression, alcoholism, deaths in custody and poverty that were so much a part of life for Aboriginal people.
Banned by the BBC in 1971, director Tony Palmer’s profile of the late Peter Sellers was, in the words of the film’s subject himself, “the only portrait which really understood me.” Sellers was an icon of comedy and a true innovator, but a look inside reveals a tragic figure. How could one of the world’s most beloved comic talents have such a morbidly distorted opinion of himself? In this documentary, interviews with such friends, fans, and colleagues as Raquel Welch, Yul Brenner, Spike Milligan, Laurence Harvey, and others reveal the true personality behind the man who was loved by everyone, but still viewed himself as entirely alone.
An insightful illumination of author Paul Bowles’ original and lesser-known career as an avant-garde composer, Owsley Brown’s Night Waltz is an elegant and soulful document of discovery. Interviewed in Morocco during the last months of his life, Bowles journeys back to his early years as a contemporary and occasional collaborator of other such iconic figures as Aaron Copland, Virgil Thomson and Orson Welles. Bowles’ uncut compositions–performed by the Eos Orchestra–are punctuated with stunning visual essays by filmmakers Nathaniel Dorsky and Rudy Burckhardt. Long after retiring from his more well-known profession, Bowles kept music as a vital part of his life, tapping out fresh rhythms on his Tangier table tops until the end of his days.
Ultimately stunning in its revelations, Lutz Dammbeck’s The Net explores the incredibly complex backstory of Ted Kaczynski, the infamous Unabomber. This exquisitely crafted inquiry into the rationale of this mythic figure situates him within a late 20th Century web of technology—a system that he grew to oppose. A marvelously subversive approach to the history of the Internet, this insightful documentary combines speculative travelogue and investigative journalism to trace contrasting countercultural responses to the cybernetic revolution.