A “primer” or explanation of the basic plot, themes, sources and meanings in Stanley Kubrick’s widely praised and often misunderstood epic motion picture, released in 1968. Film clips illustrate the scenes as interpreted in a script narrated by Keir Dullea, one of the stars of the film. Includes some behind-the-scenes information and references to material not included in the final cut. Stanley Kubrick’s controversial science-fiction film classic is analyzed for its technical and visual pioneering role in viewing human history.
Tag: USA
In the second part of this program, English director Peter Brook talks to Margaret Croyden about the recent tour of his international theater company through Africa.
This two-part program is aimed specifically at the nature, styles and forms of the experimental theatre as demonstrated by the creative designs -and philosophies of two directors of international note. In the first part, avant garde director of the Polish Laboratory Theater, Jerzy Grotowski, talks to theater critic Margaret Croyden about his work and his reactions to wandering about the U.S. on foot and by car.
Inspired by Islamic architecture, the abstract linear forms in this experimental computer-animation film were colored and edited using an optical printer. The shapes bloom and flow in time with music by Manoochehr Sadeghi.
1941 was Francis Lee’s first film; CH’AN his last. In between, he became an expert Sumi-e watercolorist and here he combines eloquent ink paintings with masterful animation methods. This film moves through mysterious shapes, takes the viewer on an explosive meditative journey across the imaginary landscapes of his creations.
Documentary about The Hamptons, an area in the eastern part of Long Island (New York), famous for being a vacation spot for the wealthiest Americans: a place where wealthy families can spend the summer and weekends by the beach.
A look at the filming of the 1953 political drama “Salt of the Earth,” made by artists blacklisted by Hollywood during the McCarthy era. That film’s producer, Paul Jarrico, speaks about his late colleagues, Herbert Biberman and Michael Wilson, and about the Communist scare that gripped the film community in the 1950s.
Bullfighter Luis Bello is a star, but fear and doubt strike quickly after he is injured in the ring. Manager Raul Fuentes refuses to let him give up, though, pushing Luis to overcome his doubt and remain a matador. Luis agrees, but complications ensue when he falls for Raul’s girlfriend, Linda. Things get even worse after a tragic accident and a public embarrassment. Now, to salvage his dignity, Luis needs one last shot in the ring.