In a mountain village, Heita, a translator’s son, is a gifted boy but is shunned by the villagers. He can imitate birds’ cry and befriends another boy who works in a brewery. Heita also finds solace in the village pastor Yasugi and his teacher Michiko, but they too have problems of their own.
Tag: JAPAN
One morning Jun gets into an angry argument with his father over his girlfriend whom his father disapproves of. In a fit of bloody rage, Jun kills his father. He decides to turn himself into the police, but his mother stops him. Eerily calm after the shock, she suggests that they dispose of the body, and then move to another place where no one will know them. When Jun moves the body out of the house, his mother suddenly changes moods again and points a knife at him, as tragedy begets tragedy.
After being raped in an unknown rooftop, nineteen year-old girl Poppo meets a mysterious boy, and both share their sexual traumas and fears, with fatal consequences.
Filmed in a middle school gymnasium in suburban Japan, Goshogaoka takes as its ostensible subject the exercise routines and drills of a girls basketball team. The film consists of six ten-minute takes, shot with a fixed camera at court level, in which the various cadences of chanting voices and bodily movements digress into distinct studies. Taken together they construct a subtle and multi-layered social portrait, a portrait framed within a study of choreographed movements (the routines, etc.) and therefore one in which documentary values soon become inseparable from aesthetic ones.
Shûji Terayama’s debut feature Throw Away Your Books, Rally in the Streets, an adaptation of his eponymous novel and play, is a playful, energetic, psychedelic, visually hypnotic critique of contemporary Japanese society’s descent into ruthless materialism. The story focuses on a teenager in hopeless search of identity within a highly dysfunctional family and a fractured world that both threaten to devour the boy—demanding everything and not really caring at all. A masterpiece of subversive cinema.
Based on the novel by Yojiro Ishizaka (The Blue Mountains), who wrote this novel with Yujiro Ishihara and James Dean’s performance in East of Eden in mind. In this three-and-a-half-hour epic, Yujiro Ishihara is Yuji, who fights with his older brother over the same girl, while finding out the secrets of his birth.
Three thieves escape from a heist, one of them killing the other two. He is sheltered by a prostitute and sought after by the police, but only after ten years his true motivation unravels.
This gripping docudrama is a fictionalized account of what could happen to a Japanese family when one of their sons shames them in front of the entire nation. Director Masaki Kobayashi has used real events so the dramatic turns in the film are based on fact — a 1970s shootout in the mountains between a band of Japanese terrorists and the police in which many men on both sides died.