A poetic folk ballad set around the dramatic events of the Second Silesian Uprising of August 1920 – the story of the family of an old miner whose sons fight for the Polish identity of their land. The film does not reconstruct the course of the uprising – it recreates its atmosphere and creates a collective portrait of the Silesian people.
Tag: HD
Ranchers Walton and Turner are losing cattle to rustlers and they each blame the other. After Walton and Clint Turner argue, Walton is found shot and Sheriff Gordon has to arrest his friend Clint. With Clint scheduled to be hung, Gordon desperately looks for evidence to clear him.
Together is set in London’s East End, with its bombsites, narrow streets, riversides, warehouses, markets and pubs. It follows two deaf-mute dockers who are completely cut-off from the outside world and are constantly pursued by groups of jeering children. Its modern depiction of everyday working-class life and its new approach to realism were inspired by Italian neo-realism and by the techniques used by Mazzetti’s Free Cinema friends.
Édourd Berlon lives care-freely, collecting lovers until he meets Hélène Laroche, a married woman. Despite their different worlds-his simplicity, her luxury-they run away together. Can their love survive their differences?
Chronicle of the Years of Fire portrays Algeria’s struggle for independence from French colonial rule. The story follows a peasant’s migration from his drought-stricken village to his eventual participation with the Algerian resistance movement, just prior to the outbreak of the Algerian War of Independence.
Ibrahim Shaddad’s graduation film Jagdpartie, which he shot at the Deutsche Hochschule für Filmkunst Potsdam-Babelsberg, is a treatise on racism. Shot in a forest in Brandenburg, it uses the Western genre to portray a black farm worker pursued by a mob of white men. The film dramatizes working-class solidarity across the color line, signally achieved through shared labor, but culminates in the violent foreclosure of this common horizon.
Louise lives alone and seems to like it that way. She has been through a divorce and the recent death of her mother. Recently, she has moved to Annecy, a moderate-sized city, to take work as a schoolteacher. She encounters a much younger man, Luigi, an Italian who is down on his luck. Though he moved to France to find work, he was robbed of his money and papers and is stranded. When he helps her bury her dogs, which her neighbour has poisoned for barking, their relationship grows to a new level.
Louis Trebor, a man nearing 70, lives alone with dogs in the forest near the French-Swiss border. He has heart problems, seeks a transplant, and then goes in search of a son sired years before in Tahiti. Told elliptically, with few words, we see Louis as possibly heartless, ignoring a son who lives nearby who is himself an attentive father to two young children, one named for Louis. He leaves his bed one night – and his lover – to kill an intruder; he dreams, usually of violence. Will his body accept his heart? Will his son accept his offer?