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Georges Menessier, a 45-year-old celebrity press writer, smuggles into a mental hospital to take pictures of…his ex-wife Clara Noël, once a great film star now confined to this clinic for alcoholism and nervous trouble. Once inside the place he meets Clo, a beautiful twenty-year-old woman, another inmate. They fall in love but madness is synonymous with tragedy not happiness…
Tag: FRANCE
In this black comedy, Fred works for an insurance company as a computer engineer. Fred is bored with enduring the trials of his shrewish wife, so, after using actuarial tables to calculate the most common means of death, he cleverly prepares the family bathroom and brings about her demise. For a while he is content with his new freedom, but then he recognizes that a friend is in a similar situation.
Broadcast in 2001, La Revolution Tropicaliste is a French TV documentary on the amazing Brazilian music movement known as Tropicália. Such brilliant artists as Gilberto Gil, Tom Ze, Os Mutantes, Gal Costa & Caetano Veloso all played a prominent part in the development of the genre, and they are all seen here in archival footage and recent interviews. Featuring a plethora of vintage live performances and great documentary footage of Brazil then and now, this doc is a must see for fans of the Tropicália genre.
In the following 1961 interview, Jean Renoir discusses with French New Wave director Jacques Rivette his design of the “seventh art” and art in general, demolishing certain generally accepted ideas, and evoking some memories from his own career.
Serge Toubiana spent a year in the company of Isabelle Huppert. Wherever she went he followed, including prepping for a theatre production of Medea, doing promo work at Cannes, posing for photo shoots, as well behind the scenes footage of Huppert working with Claude Chabrol on Merci Pour le Chocolat’ and Michael Haneke on The Piano Teacher.
After winning the “most virgin” contest, Miss Canada is married to a rich milk tycoon. But she quickly flees the marriage to experience the world around her, full of sweetness and anarchy. With its lewd abandon and sketch-comedy perversity, Sweet Movie became both a cult staple and exemplar of the envelope pushing of 1970s cinema.
Taafé fanga is the film version of a Mali folk tale. The well-known griot Sidiki Diabaté is our guide through the cliff rocks of Bandiagara and through the past of the Dogon people. When the Albarga, the mask of the local spirits and also symbol of power, falls into the hands of the young woman Yayémé, this causes chaos in Yanda. The women exchange their skirts for the trousers of the men. Is it a curse? A divine punishment? The women take over power, but will the new order be able to resist all its inherent contradictions?