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Louis, a nine-year-old boy from Paris, spends his summer vacation in a small town in Brittany. His mother Claire has lodged him with her girlfriend Marcelle and her husband Pelo while she’s having her second baby. There Louis makes friends with Martine, the ten-year-old girl next door, and learns from her about life.
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Old Thorgeir must leave his home far off in the Icelandic ‘countryside’ and move into a home for senior citizens in Reykjavik. There he meets an old friend from his childhood, Stella. Thorgeir soon becomes unhappy living there and together with Stella he steals a jeep. Together they leave the city for Stella’s old home in northwestern Iceland. A drama who asks us: how important is it to have a long life if you have to leave everything that has a meaning for you?
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During the rehearsals for the production of the tragedy Andromaque, the leading actress and her director, a couple behind the scenes, can’t find a way to leave their personal problems at home. And life imitates fiction, creating a real tragedy for this couple when the man finds comfort with other women while the actress prefers to stay focused on her work, as if nothing is happening with her partner.
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Aya is the Madame who runs a restaurant where geishas meet with their customers to eat, drink, listen to music and sing. Miyako, the daughter of Aya, is a liberal girl but far from the world that surrounds her and her mother. Her best friend is the daughter of one of the best customers in the house and a very rich man who in turn tries to Aya. But the mother and the daughter are in love with the same man.
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The Man Who Envied Women wryly chronicles the aftermath of a breakup between a philandering professor, played by two different actors, and his artist wife, voiced by choreographer Trisha Brown, who serves as the largely unseen narrator. Yet the work’s concerns radiate far beyond the couple, expanding to include film history and on-the-ground politics alike—punctuating the piece are a variety of cinematic quotations, from Hollis Frampton to Barbara Stanwyck, as well as documentary footage of spirited exchanges about American imperialism in Latin America and the housing crisis in New York.
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Yvonne Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.
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At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn’t spend enough time with their daughter and he has yet to make a commitment to his girlfriend. At his lowest point, a minor heart attack reunites him with Juan Carlos, a childhood friend, who helps Rafael to reconstruct his past and look at the present in new ways.
