Eleven directors from 11 countries each contribute an 11-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what’s happened; city kids in Burkina Faso think they’ve spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son’s death. The tones vary, as do the locales. Most stories are about others coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.
Tag: BURKINA FASO
Yaaba unfolds in the spectacular landscapes of rural Burkina Faso in a mythical time when peasant life was still unspoiled by colonialism. It is the story of a friendship between Bila, Nopoko and an old woman shunned as a witch by the rest of the community. Unafraid of her, twelve-year old Bila calls her “Yaaba” (grandmother) and learns the value of intolerance and his own worth as a human being. Ouédraogo, who shot the film in his own village, said that it was “based on tales of my childhood and on that kind of bedtime storytelling we hear just before falling asleep.”
Set in the late 17th century, on the Western coast of Africa, “Adangganan” is a provocative retelling of the African slave experience, based on facts. A rebellious young man, who refuses to marry his parents’ choice of a bride, flees his village one evening, only to return to find his father and girlfriend slain, his village destroyed and his mother captured by a tribe of Amazon warriors. His efforts to free his mother lead to the kingdom of Adanggaman, where captives are held before sale.
Gaston Kaboré’s movie «Zan Boko explores the conflict between tradition and modernity with a family in a rural contexr. It has been for long time a central theme in many African films. Kaboré tells the poignant story of a village family swept up in the current tide of urbanization. In doing so, «Zan Boko» expertly reveals the transformation of an agrarian, subsistence society into an industrialized commodity economy.
