Tony Takitani had a solitary childhood. At school he studied art, but while his sketches are accurate and detailed, they lack feeling. Used to being self-sufficient, Tony finds himself becoming more irrational and instinctive. After finding his true vocation as a technical illustrator, he becomes fascinated by Eiko, a client who in turn is fascinated by high end fashion.
Tag: 2000s
The history of the first victim of modern artillery and its moving agony, amidst conspiracies and betrayals of the powerful. Life and death of Giovanni De’ Medici, a young brave captain in the war of Charles V against the Pope, in the first half of 1500.
A cheerful parking attendant considers it his job to do more than validate parking. He wants to validate the customers themselves, delivering compliments about their appearances and the inner qualities behind them. Everyone who comes up to him with a ticket walks away validated as a worthwhile human being. Soon, the parking attendant becomes so popular that people line up for validation. His life hits a roadblock when he goes to the DMV to get his driver’s license photo taken and is met with a beautiful photographer whom he can’t get to smile.
A retrospective look at the film-making movement in Carlton during the 1960s/1970s, the filmmakers and the influences that inspired and motivated them. Includes an examination of the life and work of neo-realist Giorgio Mangiamele, and the French new wave styles of Brian Davies, Peter Carmody, Antony I. Ginnane, Peter Elliot, James Clayden, Nigel Buesst, David Minter. An assembly of extracts from several of the Carlton films are juxtaposed with pieces of Godard’s early films revealing much about a fascinating period of Melbourne filmmaking.
Amidst the wreckage beneath the ruined statue of the Buddha, thousands of families struggle to survive. Baktay, a six-year-old Afghan girl is challenged to go to school by her neighbour’s son who reads in front of their cave. Having found the money to buy a precious notebook, and taking her mother’s lipstick for a pencil, Baktay sets out. On her way, she is harassed by boys playing games that mimic the terrible violence they have witnessed, that has always surrounded them. The boys want to stone the little girl, to blow her up as the Taliban blew up the Buddha, to shoot her like Americans. Will Baktay be able to escape these violent war games and reach the school?
Melvin Van Peebles, director of the landmark independent film Sweet Sweetback’s Baadasssss Song, embraces the new age of digital filmmaking with his picaresque comedy, shot using DV equipment and taking full advantage of its creative possibilities. Van Peebles plays a fanciful version of himself, growing tired of life at home when he’s only ten years old and deciding he’d rather see the world than read about it in books or hear about it from his mother. Melvin runs away from home and hitches a ride from a friendly truck driver, but things take an unexpected turn when gangsters kill the trucker and the boy is tossed into the river with just an inner-tube for company.
Using almost no dialogue, the film follows a number of residents (both human and animal) of a small rural community in Hungary – an old man with hiccups, a shepherdess and her sheep, an old woman who may or may not be up to no good, some folk-singers at a wedding, etc. While most of the film is a series of vignettes, there is a sinister and often barely perceptible subplot involving murder.