A sweet reminiscence about a family of four children and their RAF-veteran dad, who knows the timetable of every bus in London, but realizes his large family needs a car. He buys a Peugeot station wagon – license plate GFP831E, and the family sets off for annual holidays exploring every corner of Europe – “adopting local customs but never forgetting who won the war.” The narrator is one of the children who, as he ages, sees things he missed as a lad – the car no rocket, dad no speedster. As the years wear on, and the car sits in the driveway, dad keeps it ready for the next great summer holiday.
Rags to riches to rags comedy loosely based on the director Steve Burrows’ actual experiences while writing screenplays in Los Angeles. Burrows (aka “Milwaukee Steve”) finally makes it big as “The Crotch Fresh” commercial guy, but then can’t catch another break — not even when he auditions for a new Crotch Fresh commercial! He decides the only way to make a comeback as an actor is to fake his own death, then make a glorious return.
On New Year’s Eve, a young soldier is looking forward to going home but is given orders to escort a juvenile delinquent to a distant reformatory. He sets off with the child handcuffed to him.
Once upon a time in a forest, an elephant encounters a snail, when suddenly it begins to rain. The snail asks the elephant whether he wants to come inside his shell. The elephant accepts this kind invitation even though the snail’s house is a wee bit small.
Soon after the disparate yet compatible Naoya and Katsuhiro start to settle into a relationship, a slightly unhinged young woman named Asako asks Katsuhiro to father her child. While the couple navigate the implications of this unexpected proposal, they are forced to confront their conflicting understandings of what it means to be gay and in a committed relationship. A landmark work of LGBTQ Japanese cinema by pioneering director Ryosuke Hashiguchi, Hush! humorously and poignantly upends the traditional Japanese genre of the family drama to offer a deeply human story about three people doing their best to be true to themselves.
Eleven-year-old Frankie Dollar is the leader of an Aboriginal dance group, the Djarn Djarns. Theyr̉e in big demand today at the Cultural Centre, but Frankies̉ really in the doldrums because one year ago, to the day, his father died. Now he needs his friends more than ever.
A documentarian sets about to expose the objectification of sex workers at a brothel, only to find her own sexual desires awakening.
In her brother’s apartment where he died, Yuki finds a vacuum cleaner with its cord still hooked up to the outlet. She discovers that the circumstances surrounding her brother’s supposed suicide are sketchy at best, yet no one has any answers. When she starts having hallucinations involving his ghost, however, she seeks some psychological help, eventually uncovering some things that she may have wished she’d left covered.