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This short, written and directed by Christine Parker (Channelling Baby) takes an allegorical look at the creative process. A writer has a korero with a trickster spirit guide Hinekaro (voiced by Rena Owen), and conjures worlds from the words she inks on a page. In her imaginative struggles she’s visited by a ruru owl and her younger self, and other creatures are brought strikingly to life via special effects (beetles from a book, an eel hiding in a toilet bowl). Hinekaro was adapted from a 1991 short story by Booker Prize-winner Keri Hulme.
Tag: 1990s
Tetsuo is a young man living in Tokyo, who falls in love with a deaf-mute factory girl. He has always felt jealous of his college- educated brother, but ultimately wins both the girl and his father’s acceptance and support in a touching and refreshing way.
In the offices of a prestigious New York daily, a junior editor and his veteran secretary are locked in a battle of wills over office culture. Will speed, efficiency and organisation win out, or are the old ways best? This short was Oscar nominated in 1999 and features a cameo performance from Philip Seymour Hoffman.
HOBO is a travelogue of sorts, a portrait of life lived by homeless men on and off the railways in America. John T. Davis spent three months travelling on the boxcars with his principal subject, Beargrease, who each year leaves his home to ride the rails and scavenge for food. It is a world mostly populated by men, many of them ‘misfits’, who for various reasons find life on the margins of settled society easier than being a part of it. The film confronts the romance and mythology created by the many songs about life as a hobo, but finds romance and beauty in the landscapes of the American west.
Interweaving evocative images with powerful performance footage, this short film explores Southern writer Dorothy Allison’s life, from the oppression of poverty and childhood abuse to a place where she has channeled that oppression into creativity.
After his family is murdered, and he’s left for dead, a farmer awakens in the desert and finds himself transformed into a savage warrior, with all the powers and skills of the ancient gods. Guided by his “spirit masters” he’s given a mission; destroy Titan Corporation, the world’s most powerful high-tech computer company and its ambitious leader, Michael Burroughs. Burrough’s has discovered the technological remains of an ancient race and a secret that will allow him to open the Vortex and achieve immortality. Out in the desert, ancient powers collide with sophisticated technology as the Savage and Burroughs meet in a titanic struggle that could destroy mankind.
During World War I in Norway, a shipping magnate goes bankrupt, and the family being used to a high-spending life moves to a summer cabin with moonshine and smuggling as a way out. Love and art are sacrificed in the hunt for old honor, with the children as victims.
In the wake of a young man’s suicide attempt, his family gathers in their large house in the country, where complex interrelationships play out against a tense vigil. Winner of the 1991 Jean Vigo Prize, Desplechin’s rarely screened featurette displays many of the hallmarks of his mature style: the deft handling of a sprawling cast of characters (played by several Desplechin regulars, including Emmanuelle Devos), the nuanced understanding of family dynamics, and the wide-ranging literary allusions. All come together in an incisive, poignant examination of the myriad ways we deal with tragedy.