Two energetic sisters, a journalist and a gymnast, can’t afford to go to the USA, where the latter one has a championship. So they decide to steal it. Theft, however, can be addictive.
Tag: 1990s
This innovative and darkly humorous Korean outing features neither pigs nor wells. The film was written by four writers, each of whom was in charge of developing one character apiece. After each basic plot was created, the director allowed the actors to improvise. The four characters are an unsuccessful novelist who hates himself, his icy girlfriend, her salesman husband, and a pretty ticket taker at the local cinema who secretly loves the writer.
Two couples, friends for a long time, decide to go away together. Things soon take a turn for the worse when Linda and Jeff spend far too much time together instead of with their respective spouses, Paul and Stella.
In this exciting thriller, schizophrenic Nell throws her mother down the stairs, then heads off to a babysitting job. Nell is completely delusional and thinks that the girl she is babysitting is her daughter. She causes a lot of trouble, including killing a dog and murdering her stepfather and a maid whom she thought would tell on her. Can she be stopped before she harms her babysitting charge?
——UPGRADED——
Made in the early years of internet chat rooms, Yoshimitsu Morita’s mid-1990s standout follows a young salaryman in the city with the username “[Haru]” who becomes fast friends with a fellow named Hoshi who lives in a rural town. Their anonymity allows them to open up about their loves, struggles, and cinephilia. One day, Hoshi reveals that she is a woman, but that doesn’t damage the strength of their friendship. Eventually, the two finally decide to meet in person. Morita’s keen interest in new technology and an enduring love for trains come together to create a charming tale of connection in an alienating world.
In Amanha Lundju, the trees planted upon the birth of each child begin falling rapidly and mysteriously. Led by the tradition healer, Calcalado, the villagers begin a desert exodus in search of the cause of their curse and discover they must return home to fight for their traditions and their old way of life.
Extending his fascination with genre cinema, Petzold’s second feature is a made-for-television variation on the 1945 noir Detour, transposing Ulmer’s Poverty Row classic from the gloomy backroads of postwar America to the drab railway stations and sunlit autobahns of 1990s Europe. Across this colorless landscape, homeless drifter Tom tracks ex-lover-turned-prostitute Tina with the questionable assistance of a slick rich guy named Jimmy, pursuing parallel paths on a desperate odyssey westward that just might lead all the way to Cuba.