A prostitute is murdered on the streets of a tough, low-income neighborhood. A diabetic retired boxer who knew her is appalled by the lack of interest shown in the case by the police or anybody else in the neighborhood, and decides to investigate the case himself.
Tag: 1970s
Hideo is the leader of the motorcycle gang The Bears. He beats up the leader of a rival gang The Scorpions without a reason. The Scorpions retaliate, which lands Hideo severly injured in the hospital of Hiroshi’s father. Hiroshi, the black sheep of his wealthy family is a gay boy with a drug addiction, who’s deeply in love with the cool, self-assured Hideo. But Hideo ignores Hiroshi’s affection and dates Akemi, the promiscuous daughter of a hooker mother. Thus an unhappy love triangle develops.
Jacques is an artist whose world changes when he meets Marthe, a woman intent on taking her own life. After he stops her from doing a swan dive into the Seine River, the two start regularly meeting, and Jacques learns that Marthe almost killed herself over a broken heart. As Jacques and Marthe wander through Paris over a series of nights, he begins to fall in love with her — only to find that her former lover is not entirely out of the picture.
A presidential advisor discovers that the President has assembled a secret army of vigilantes to suppress dissent and is setting up concentration camps in which to imprison protesters, hippies and other “social undesirables.”
The third installment of Oliveira’s Tetralogy is a brilliant and devastating portrait of young lovers tragically separated by a bitter feud between their aristocratic families. In Doomed Love Oliveira tested his belief in a creative merging of theatrical, literary and cinematic narrative traditions. His radical approach to adaptation captures the multilayered language of Camilo Castelo Branco’s eponymous epic novel to offer a virtual phenomenology of life and love in 18th century Portugal. After a disastrous premiere on Portuguese television, the theatrical release of Oliveira’s re-edited version was quickly hailed as a landmark in the history of the European art film.
The plot follows a Dutch horticulturist from the day he leaves his farm to be admitted to hospital for a cancer treatment to the inevitable sad ending. The film displays intensely how the different people concerned deal with the taboo of cancer (which was very strong in the 70s). Nobody tells the protagonist that he is in fact fatally ill, so that he has to discover that by himself and come to terms with it.
A man tricked into enlisting in the Confederate army is later thrown into a hellish stockade on desertion charges. He eventually breaks out of the prison camp, reunites with his old partner and sets out to kill the man who was responsible for his being in the camp in the first place. However, after accidentally killing a Confederate officer, he finds himself pursued by a gang of vicious bounty hunters intent on collecting the reward put up by the dead officer’s widow.