About a young man (JAG/Me/Self) who is looking for an identity. He meets a woman, Ebba, they move in together, marry, but the marriage is becoming more and more disharmonious and dysfunctional. On the bus he run into a woman from his past, Ann-Marie. They reconnect on some level, but Ann-Marie has a family. At the same time, this is driving the relationship with the wife towards a crisis.
rarefilmm | The Cave of Forgotten Films Posts
This animated short outlines the problems with alcohol consumption despite its social acceptability in western society. It provides a cursory look at how easily alcohol is produced, and the physiological effects of alcohol on humans, especially when it enters the bloodstream. It delves further into the process of drunkenness. Although few people die from overdosing on alcohol, it describes other direct and indirect dangerous effects of alcohol consumption, such as drinking and driving. It also lists the many reasons why people drink for good and bad.
Inspired by Leos Janacek’s Sinfonietta, The Queen’s Monastery is about a woman whose lover, a former acrobat, has returned to her from war a changed man. Using a highly individual watercolour technique the narrative explores themes of love, escapist fantasy, obsession and guilt.
Undercover agent Mark Owens is sent to aid the Border Patrol in the trans-border town of Hernandez in breaking up a well-organized band of smugglers. Since the town is also noted for a place for obtaining quick marriages on the Mexico side, Mark obtains the job of pilot on “The Honeymoon Express.” He does not realize that he has been recognized as a G-Man by “Hot Cake” Joe, operator of a sandwich stand and an informant for the smugglers. Reporter Nancy Rawlings, assigned to the airport on the American side of the border, sees Mike running the matrimonial express in his flamboyant uniform, and thinks he is ridiculous enough to make a good story.
The Frake family attends the Iowa State Fair. Father Abel enters his Hampshire boar Blue Boy in the hog contest, mother Melissa enters the mincemeat competition, and their young-adult children Margy and Wayne find love with newspaper reporter Pat Gilbert and trapeze artist Emily Joyce. Will everyone return home safe and happy or will hearts be broken?
Edward Owens’ first film contains a series of super impositions and fleeting images of bodies suggesting illicit desire, and demonstrates a masterful use of baroque lighting. Scenes of quarrels unfold along closeups of glossy magazine cutouts and classical paintings.
The film attempts to negotiate with the duality that is associated with the ceremonial veneration of the Mother Goddess Kali. It ruminates on the nuanced transness that is prevalent, in the ceremonial performance of male devotees cross dressing as Kali. This is interwoven with grotesque elements of a sacrificial ceremony, which forms a vital part of the worship of the Goddess.