Category: Short

January 12, 2020 / Drama

As the soirée goes on inside the elegant townhouse, why are people being rounded up in the street? And what is really being said behind the smokescreen of cultivated cocktail party chitchat about health clubs and island retreats? Employing the original cast from the Almeida Theatre production and directed by Pinter himself, this 1992 production of Party Time—a surreal drama of mannerly rudeness, emotional violence, and sexual tyranny—’bears all the hallmarks of Pinter’s strength,’ says critic Christopher Edwards, of The Spectator (London).

January 11, 2020 / Experimental

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Zoltán Huszárik paints a lyrical portrait of the Hungarian-born sculptor Amerigo Tot, who achieved world fame in Italy. The associative short film focuses on the inspirations of creation, the relationship between man and his creative work, which are fed by the experiences of everyday life and the materiality of objects. The series of milestone works in his career are counterpointed by the episode when the artist returned to Hungary. Here, too, Huszárik worked together with János Tóth, who as cinematographer and editor contributed to the unique ambience of this portrait film, the audio-collage accompanying the images is the work of Péter Eötvös.

January 1, 2020 / Short
January 1, 2020 / Short

An aging actor remembers his past stage triumphs and contemplates a dim future on the stage of an empty theatre.

December 2, 2019 / Animation

In a mainframe, a series of punch cards are used to process data. One punch hole is bored. It decides to harass some of the other holes hoping that it would be more exciting. Can the other holes keep him in check?

November 19, 2019 / Short
November 18, 2019 / Short

Short TV film upon the story of Ludwik Niemojski of the same title, which was a part of his “Incredible Stories”. It tells about Bartolomeo, brilliant chess player, who had ruined his private life because of his passion for chess.

November 18, 2019 / Experimental

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An incestuous portrait of the Notre Dame de Paris cathedral that reveals the feminine nature of this monument. Notre-Dame Cathedral is the support of an ecstatic vision: the convulsions of the camera and the frenzy of the editing, accompanied by loops of liturgical and noisy music, dematerialize the monument, transforming it into flashes of colour, lines and fleeting forms.