Woody Allen talks about his life and work as a writer, dramatist and film-maker and discusses his creative sources, theoretical approaches and working methods. Shows scenes from some of his major films including “Annie Hall”, “Love and Death”, “Sleep”, “The Night Club Years” and “Take the Money and Run”.
Category: Short
Kurt Vonnegut, Jr., discusses his development as a writer, including reference to some of his major novels, his themes and their meaning, his relationship to other writers, problems in sustaining his special vision of American life, and his future. Accompanied by photographs which chronicle the author’s life and selections from home movies taken during his youth.
A cine-poem. Presents the sights, sounds, beauty, and rhythm of rain as it comes to living things on a farm and to people in the city. Explains that rain is a source of the water which we use, and that it affects plants and other living things as well as people working in the community.
A comedy short in which a young woman has her clothes stolen at the beach, and needs to get hold of something to cover herself without being seen.
Once upon a time in a forest, an elephant encounters a snail, when suddenly it begins to rain. The snail asks the elephant whether he wants to come inside his shell. The elephant accepts this kind invitation even though the snail’s house is a wee bit small.
Shot in black and white, with a jazzy soundtrack and no dialogue at all, The Lift tells the classic story of man versus machine. First short film by Robert Zemeckis, made while he was studying in California.
Combining documentary authenticity with subtle fantasy, Danish directors Stefan Fjeldmark and Karsten Kiilerich explore children’s attitudes and vague conceptions about death.
The House is Black is an empathetic portrait of a leper colony from Iranian poet Forough Farrokhzad. Her work, both in film and poetry, has influenced everyone from Iranian New Wave master Abbas Kiarostami to French essay film pioneer Chris Marker. With The House is Black, Farrokhzad unflinchingly captures the world of a leper colony in Tabriz, Iran. She recites her own poetry over images of everyday life for a people shut away from society. Farrokhzad’s portrait highlights a world weighed down by tragedy yet uplifted by community. The result is a heartbreaking film that eschews condescension in favor of hard-won empathy.