No one knows better than Mohsen Makhmalbaf that Iranians are movie mad, so when he placed a casting call for one hundred actors for a new film, he expected a crowd; what he got was a crush—five thousand people. After genially announcing, “You are both the subject and the actors in the film,” he begins auditions. What unfolds is a parade of individuals who, for love of cinema, are by turns brash, crafty, shy, touchingly open, unwittingly hilarious.
Category: Drama
Little Gennarino, orphan of his parents, performs on the streets of Naples as a street musician together with his adoptive mother Angela. Unfortunately one day the woman falls ill and she has to be hospitalized, so the child, needing to find money for treatment, joins a group of petty thieves.
A rock and roll singer gets stranded in a small Australian town after losing her job in a band. She winds up in a trailer park only to encounter, by accident, the teenage daughter she deserted following her husband’s death.
Liz Erickson is an energetic young woman who is eagerly approaching her freshman year in college. But once on campus, she soon discovers the gritty reality of college life. From crass comments by male classmates to the cruel hazing rituals of the school’s sororities, Liz is shocked by the behavior of her fellow students. She finds solace in her burgeoning friendship with noble World War II veteran Joe Blake, who is attending college thanks to the GI Bill.
The first Canadian fiction feature directed by a woman, Sylvia Spring’s Madeleine Is… investigates themes of patriarchy, art, and emancipatory politics in the context of Vancouver’s counterculture. Madeleine, an aspiring painter from Quebec, relocates to Vancouver at the height of the hippie era and has a series of encounters with men—a macho political radical, a fantasy figure-cum-young businessman, an older homeless man—which lead to self-discovery. The city and its paradoxes and politics are vividly evoked, while the era’s emergent feminism informs the film’s perspective.
Based on an autobiographical novelette by the well-known Kerala writer Basheer, this is a love story, set in a prison cell the 40s, between the imprisoned Basheer and a woman from the neighbouring prison compound. They are separated by a high wall so that they never see each other and have to devise ingenious ways of communicating. Produced for TV, the story is played out in confined spaces with a sense of claustrophobia and suppressed violence which enhances the emotional impact of the moving love story.
This was the first of a trilogy of films that director Rodríguez filmed to exalt the box office figure of Villa. Narrated in the form of independent episodes, it has seven segments of which the last one is the longest and narrates the love that a singer named Jesusita feels for the bold, but married, general. Between the episodes the loyalty of the man is shown, the sense of justice, his hypocritical heresy and the aspect of a womanizer and conqueror.