The Club de Femmes (Girl’s Club) of the title refers to a Parisian boarding house, populated in its entirety by beautiful, unwed damsels. The rules of the club are quite strict, with chaperones making certain that the ladies keep a safe and respectable distance between themselves and their gentleman callers. But the mischievous Claire is determined to enjoy a rendezvous with her sweetheart Robert, and to that end she talks him into disguising himself as a woman.
Category: Drama
A forty-year-old office worker, Ishino get good income, nice family and a love affair with girl co-worker. His life is mostly perfect. One day, way home after affair, Ishino run across his neighbor, Sugiyama. They had known each other but not so close . Ishino hadn’t worry that his affair has catch. A few days later, police told Ishino that Sugiyama was arrested on charge of murder and claiming he had met Ishino in that day. If Ishino proved the Sugiyama’s alibi, Ishino’s life will be destroyed. If he give false evidence, Sugiyama will be hanged…
An enthusiastic young woman runs away to Chicago to start a new life. She is soon confronted with the emotional coldness of the big city, and has to search for her place in the scheme of things.
The story of a young boy, Genta, who bravely takes on life’s challenges in hopes of finding a better life for himself and his struggling mother.
A gang plots the robbery of an armored-car company headquarters. Although the robbery itself goes off as planned, it’s not long before the gang members are fighting among themselves over everybody’s share of the loot and trying to avoid capture by the police, who are pouring all their resources into capturing the robbers. Based on a real-life 1950 Brinks Armored Car Co. robbery in Boston.
Study of a girl’s rise from the slums to society where she is wooed by a medical student, a lord and a boxer.
——UPGRADED——
Three toseinin, low-class wanderers who follow the yakuza code, go from village to village ready to work or fight for anyone who will give them food and lodging.
Seven Women, Seven Sins represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world’s most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.