Inspired by Susan Sontag’s well known essay ‘Notes on Camp’, as well as the very successful rerelease of the 1943 serial Batman, The Movie Orgy is a mind-boggling patchwork of 50s, 60s and 70s television and cinema, conceived by Joe Dante as a film student in Philadelphia.
Category: Documentary
A portrait of Papua New Guinea, a society clutched by Australian colonialism and hovering uneasily between its head-hunting past and Western civilization, at the time of the nation’s independence festivities.
Francis Kee Teller plays Son of the Hunter, a young Navajo boy who is separated from his family so that he may be given his government-dictated mandatory education. Disdaining the “white” world, Teller runs from his instructors. The two tenderfeet find themselves in a perilous situation, from which the savvy Teller must rescue them.
In this masterpiece of contemplative cinema by Spain’s Víctor Erice (The Spirit of the Beehive), the painter Antonio López attempts, as he has many times before, to capture the play of light on the leaves of the quince tree in his garden, and discovers something eternal in the process.
On 31 January 1977, the Centre George Pompidou opened its doors to the public in Paris. Three months later, on 6 May, Roberto Rossellini wrapped up the editing of a 54-minute film that testified to the public’s response to the project. The great Neo-Realist filmmaker was proposed by Jacques Grandclaude, spreadhead of the Communauté de Cinéma, to the French Ministry of Foreign Affairs to celebrate the opening of the building designed by Renzo Piano and Richard Rogers.
Produced by the Municipality of Copenhagen and the Port of Copenhagen Authority the film draws with self-irony a frank and informal picture of the Danish capital, laying stress on the poetry to be found in the picturesque details of ordinary everyday life in the streets, the harbour, the social institutions, the amusement parks etc.
William Miles, acclaimed visual historian of Harlem, lovingly renders an epic telling of the community’s 350-year history as the cultural hub of African American life. Extending from the late 17th century to the early 1980s, the film registers the socioeconomic shifts and challenges of the late 20th century, also chronicling the momentous experiences of Civil Rights activism and the legacy of the Harlem Renaissance.