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Brocani conjures together all your favourite European cultural and historical myth figures in order to attack the centuries of ‘sublimation’ that have produced our cities and their inhabitants. The gang’s all here: Frankenstein’s monster gropes towards the awareness that his mind is a universe; Attila, naked on a white horse, liberates his people from their ignominy; the ultra-caustic Viva bemoans the frustrations of married life and drifts into the elegiac persona of the Bloody Countess Bathory; Louis Waldon is a hip American tourist searching for the (missing) Mona Lisa. The range is extraordinary, from stand-up Jewish comedy to a kind of flea-market expressionism. Brocani’s approach is contemplative rather than agitational, which confounds the impatient; Gavin Bryars’ lovely Terry Riley-esque score matches the ambience exactly.
Director: Franco Brocani.
Writer: Franco Brocani.
Stars: Nicoletta Machiavelli, Tina Aumont, Pierre Clémenti, Paul Jabara, Carmelo Bene, Bruno Corazzari, Paolo Graziosi, Louis Waldon, Viva.
Cinematographers: Franco Lecca, Ivan Stoinov.
Composer: Gavin Bryars.
⇓ DOWNLOAD OPTIONS ⇓
ENCODE:
MP4 | 1.79 GB | 668×576 | 25 FPS | 2000 kb/s | AAC 160 kb/s
Language: German, French, English & Italian | Subtitles: English (hard)
⇒ DL via 1FICHIER
(DO NOT USE WITHOUT ADBLOCKER)
SOURCE FILE:
MKV | 2.19 GB | 668×576 | 25 FPS | 2454 kb/s | AC3 192 kb/s
Language: German, French, English & Italian | Subtitles: English (soft)
⇒ DL via 1FICHIER
(DO NOT USE WITHOUT ADBLOCKER)
This is the kind of nonsense that is produced by people who are totally high and burnt-out on drugs!
For someone that constantly posts about your love of any and all nudity, maybe you shouldn’t moralize about other perceived deviance. Also, maybe don’t crap on the films curated gratis by the same person who provides the “rare films” you love. It comes off as ungrateful, but you likely won’t care.
Is this the Gerald L. Austin who was arrested in Honolulu for the 1989 murder and sexual assault of an 81 year old?
Many moral traditionalists consider someone that spends hours and hours scouring this and other sites for a glimpse of (frontal) nudity deviant . I don’t. I also don’t care whether someone is in search of specific gender related nudity, but many moralists do. It seems to me that those that do look for non-conforming voyeurism shouldn’t so quickly publicly condemn other unconventional expressions, like suspicion of drug use or arthouse films, especially on a forum provided gratis that shows “rare films”.
If you don’t like a film here, please don’t bitch. Move on. Remember, you are paying nothing to someone who must spend a lot of time providing us with films that are very hard to find.
Heavily influenced by Pasolini works.
This is a fucking awesome film.
However, I don’t usually make value based judgements, thus requiring me to delve deeper into forming an insight on my experience in the film. What I like is that the theatrical style has gone from stage to hallucination, that the characters are losing themselves into their roles, like artists immersed in the journey of creating their art. So the playfulness becomes natural and we see essences of being in this art form that is a myriad of theater, props, art, performance, film that is captured without adhering to a rather formulaic cookie-cutter sheet cinema.