In this American Film Institute-subsidized short subject, Fionnula Flanagan plays a sharp-tongued but compassionate nun, while Peter Lempert is cast as a sullen, emotionally disturbed boy. The title refers to the “thawing” process that occurs when the nun attempts to break through Lempert’s wall of silence.
Directors: Peter Werner, Andre R. Guttfreund.
Writers: Joyce Carol Oates (short story), Peter Werner.
Stars: Fionnula Flanagan, Peter Lampert, Vance Colvig Jr., John Durren, Kate Murtagh, Shirley Slater, Malachi Throne.
1977 Academy Awards – Winner of an Oscar for Best Short Film, Live Action.
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Note: One of the most difficult to find Oscar winner shorts, turned up on Vimeo recently, quality is pretty good but it has Spanish subtitles hardcoded, if anyone out there has a better copy without subs please email me, I’d love to upgrade it with a clean copy. Thank you.
Terrific choice to add to the website. This site has been invaluable for my efforts to watch Oscar-nominated short films.
WOW! Thank you so much! Always wanted to see this Oates adaptation
This film contains the sickest and most twisted interpretations of The Merchant of Venice imaginable, from both the nun and the psychopatic “boy”. Is even the nun’s “explanation” of the play really in the Oates story, or was it put there by Werner and Guttfreund? Just incredible…. anyway I guess they had some friends on the Academy board.
We just had to wait a year for something worse: Equus.
Lovely to see Fionnula Flanagan! I had forgotten about her. But I liked/like her very much.
My dad is in this movie – the first scene as Fr. Flanagan. I’d always heard of this growing up as a movie he’d been in, and finally found it.
Why is my name not on your credits listed? Peter and I both proud of our total collaboration , so I will also inform him…. I don’t mind your having pirated it, even if it’s the copy I translated and subtitled so that my country El Salvador , and Spanish speakers, could also enjoy it, but I this is a film by both of us, as Director and Producer collaborating from start to finish….. Make this change please, and thus reflect both Oscar winners….Also , while “subsidized” by AFI, both Peter and I invested an additional 5 thousand dollars ( above the AFI grant of 10 thousand, to finish it as we wanted…..
Andre, my apologies, I usually use the credits that I find on IMDb but looks like for this one I just used what shows up on Google, only Werner is listed as the director there, see here: https://i.imgur.com/XYTLEFG.jpg I just added your name.
If you or Peter wish to see this short film removed from the site simply email me to dmca@rarefilmm.com and I will take it down, no problem. It’s a really great thing what you did to subtitle this film so that your people could also watch it and understand it, I don’t know if it was you who uploaded it on Vimeo but if you did thank you, it was a great surprise when my friend sent me a link for it, we didn’t didn’t held much hope of ever finding it since it seemed very very hard to find, it was an amazing day.
Thanks again and sorry that I didn’t include you in the original post, I didn’t do it on purpose.
The best cinematic adaptation of Henry James is arguably 1997’s The Wings of the Dove, and that film contains an explicit scene of Helena Bonham Carter stripping completely naked in bed with a man; a scene that, well, let’s just say was not in the book, to put it mildly. All this as a way of saying that a film adaptation of a book or short story doesn’t have to be completely faithful to be successful on it’s own terms- there are enough entombed, lifeless Masterpiece Theater ‘faithful’ adaptations out there already. But this is something else again-too many liberties were taken with the original short story, and while I believe the spirit and essence of the original work are preserved, it just doesn’t work on screen. Maybe Oates’ story is unfilmable, since so much of the drama occurs in the mind of Sister Irene, in her thoughts and feelings about Weinstein, and that is not translatable in cinematic terms. And let’s just say that an ’emotionally-repressed nun’ is too much of a movie cliche already- Fionnula Flanagan does what she can, but there is way too much starch in that dusty nun’s habit for any actress to overcome.