Charming con-artist Charlotte is suspected of murder when her boyfriend is found dead in her apartment. She flees to her former lover and despite the fact that he is living with his fiance, he succumbs to her charms and joins her in a wild romp across the French countryside to Spain.
Month: March 2022
A Greek-American filmmaker, known simply as «A», returns to his hometown in northern Greece for a screening of his latest controversial film. His real reason for coming back, however, is to track down three long-missing reels of film by Greece’s pioneering Manakia brothers who in the early years of cinema traveled through the Balkans, ignoring national and ethnic strife and recording ordinary people, especially craftsmen, on film. Their images, he believes, hold the key to lost innocence and essential truth, to an understanding of Balkan history.
A spurned lover seeks a rich man for revenge. A random onlooker — who witnessed the public assault committed by the rich man against the lover — seeks for monetary compensation for his smashed computer. The lover’s and the onlooker’s lives intertwine as two people collaborate. The onlooker’s fate faces an unpredictable turn and mirrors the lover’s life.
Sequel to Thou Shalt Not Swear. Chow reteams with Lau to investigate a murder. Chow’s wife is the suspect! The victims are those who cheats on their wives.
Filmed in 1965 and just as contemporary now as it was then, Yuri Ilyenko’s directorial debut, A SPRING FOR THE THIRSTY, is a surreal cinematic poem from the cinematographer of Sergei Paradzhanov’s SHADOWS OF FORGOTTEN ANCESTORS. As director-cinematographer of A SPRING FOR THE THIRSTY, Ilyenko has created a parable centering on an old man who lives a secluded life in the desert, alone with only his memories and photographs. His wellspring, once a source of joy and hope for thirsty passersby, is now rarely used. No longer able to find comfort in his memories, he turns all his photographs to face the walls.
In 1914, with men gone to war, Marcel Proust hired Céleste Albaret as his attendant. More than eight years later, she was at his side when he died. During this entire time, she only entered his room when he rang for her, sleeping from 9 AM to 3 PM to wait during the night while he wrote. Marcel uses her as more than a servant: she is his muse, telling stories of her childhood to stir his remembrance of things past; she’s in cahoots with him as he manipulates those he wants to draw on for his writing; she listens appalled to his descriptions of the underside of Paris. Hers is a life of love and sweet devotion as he races time to finish his work before death.
Hell-bent on revenge, cocky reform-school runaway El Jaibo returns to his old neighborhood in post-World-War-II Mexico City’s poor and squalid slums, to reunite with his faithful gang of juvenile delinquents and street urchins. However, as the dangerous ringleader lives and breathes retribution, his destructive obsession to find the informant who supposedly sent him to jail will intricately interweave his bitter fate with that of Pedro, his weak, unwitting accessory, in a despicable act of pure evil. In the end, are humans inherently good or bad? Is immorality contingent with society?