Duke Turnbeau has come to England, in the 1930s, as a way to improve his fortunes. For some reason, he believes that his larcenous ways will bring him prosperity in the country which at one time or another has had rulership over a large portion of the globe. While there, he meets Rosie McCratchit, a lovely Irish gal who could do with some improvement in her fortunes as well. Together, they have a series of legal, quasi-legal and definitely illegal adventures, including Duke’s cow-roping and Rosie’s response to the mud-wrestling challenge of the Amazon Lady, as well as an attempted armored-car robbery.
Year: 2019
Young high school couple Darcy Elliot and Stan Bobrucz are one year from graduation, with promising futures ahead of them. But their paths take a drastic turn when Darcy becomes pregnant. Unwilling to go through an abortion or an adoption — despite their parents‘ pleas — Darcy and Stan decide to sacrifice their college experiences and degrees in order to keep and raise the baby. After a quick marriage, the two realize it won’t be as easy as they thought.
Shûji Terayama’s debut feature Throw Away Your Books, Rally in the Streets, an adaptation of his eponymous novel and play, is a playful, energetic, psychedelic, visually hypnotic critique of contemporary Japanese society’s descent into ruthless materialism. The story focuses on a teenager in hopeless search of identity within a highly dysfunctional family and a fractured world that both threaten to devour the boy—demanding everything and not really caring at all. A masterpiece of subversive cinema.
Based on the novel by Yojiro Ishizaka (The Blue Mountains), who wrote this novel with Yujiro Ishihara and James Dean’s performance in East of Eden in mind. In this three-and-a-half-hour epic, Yujiro Ishihara is Yuji, who fights with his older brother over the same girl, while finding out the secrets of his birth.
The story opens just before Christmas, when solitary, apathetic bank clerk Flemming Borck uncovers a plot to rob his bank. (It’s a convoluted set-up, so we’ll just leave it at that.) After doing a little rookie recon, Borck identifies the would-be bank robber as a faux shopping-mall Santa Claus, and counter-plots to steal the money himself and let Santa take the blame. This works out about as badly as you might imagine, and our bumbling protagonist spirals further and further away from the carefree, laconic lifestyle he had hoped to ensure for himself.
A father is scheming to have his slightly mental daughter from an earlier marriage (Elsa Zylberstein) killed by allowing a murderous psychopath to be released from the asylum and led to his house. However, the psychopath and the daughter fall for each other.
A small radio station is saved from going bankrupt by a backer, who agrees to invest money for television equipment if the owner allows his dancing daughter Annabelle to dance and sing on the screen. Due to her voice, her singing needs to be dubbed by the owner’s girlfriend Pat Abbott. Problems arise when the owner starts dating Annabelle.