The film is related from the point of view of Alsino, an impoverished Nicaraguan lad. While his country and its rotting buildings crumble all around him, the idealistic Alsino imagines himself to be a condor, flying far above his deprivations. It is during one of his hallucinations that Alsino jumps from a tree; the fall cripples him, turning him into a hunchback. He will only straighten out to his full proud height upon joining a guerilla band, fighting the corrupt government armies. Significantly, Alsino & the Condor was the first production to be filmed in Nicaragua after the Sandinista revolution and the overthrow of Somoza.
The controversial, sexy, surreal story of a messenger and his journey and encounters with many historical events and people like Auschwitz, the Ku Klux Klan, Frida Kahlo, Cortés and Emiliano Zapata (as a beautiful woman!).
Three roguish mercenaries find themselves in the middle of the Mexican revolution, where they face great danger from both sides. This action drama centers on their attempts to avoid capture and use the conflict between the rebels and federales for their own benefit.
The paths of two orphan brothers drastically change over the years, beginning when they were just boys living on the streets of Mexico City.
This Mexican film re-creates a dark chapter in the history of Chile. The scene is a small Chilean mining town in 1907. Suffering under the despotic rule of the British mine owners, the workers stage a revolt. The government’s solution is to utterly destroy the town rather than allow the rebellion to spread. Letters from Marusia was adapted from a novel by Patricio Manns, which in turn was based on eyewitness accounts of the 1907 massacre.
Professor Tejada is an expert in magic. He and his daughter go to a show by the magician Eglé Elohim, they are fascinated by their demonstrations of great power, so he decides to investigate more about Eglé, without knowing the torment that is coming.
Basil Rathbone plays Canuto Perez, the ghost of a man who committed suicide in the sixteenth century. He has been living in the dungeon of a castle for 400 years, and he can separate himself from his skeleton, which walks and talks as if it’s a separate person. Perez was not a good man; he had spent his life taking advantage of innocent young women. He choose to commit suicide instead of accepting punishment for his crimes. Because Perez repented at the last moment before he died, God has granted him four chances to save his soul.
Gone several years, the brooding Alejandro returns to the hacienda of his foster sister, Catalina, whom he loves, to find her married to the wealthy and effete Eduardo.